This arrangement is a great way to build your chord vocabulary in the key of G, and at 100 BPM it sits in a comfortable pocket where you can really focus on smooth transitions.

Your left hand plays block chords throughout, so the main challenge isn't complex bass patterns — it's cleanly moving between nine different chord shapes, especially the shifts involving Bm and Dsus4, which tend to trip beginners up.

Practice those two chords in isolation first: get your fingers landing on Bm without hesitation, then drill the Dsus4-to-D7 resolve until it feels automatic.

I'd suggest starting hands-separate at around 70 BPM, looping the verse progression until your left hand moves on autopilot, then layering in the melody.

Watch the transitions from Em to C and from A to Bm — those are the spots where most students pause or rush.

Use a light touch on the sustain pedal to connect phrases, lifting cleanly on each chord change so things don't blur together.

By the time this song feels easy, you'll have nine chord shapes genuinely under your fingers, and that's a foundation you'll use in dozens of pop songs going forward.