Right from the start you were a (C)thief, you stole my (Em)heart, and (C)I your will ing vic (G)tim.
I let you see the parts of me that (C)weren’t all that pret (Em)ty, and with (C)ev ’ry touch you fixed (G)them.
Now (Em)you’ve been talk ing (A)in your (D)sleep, oh, oh; (Em)things you nev er (A)say to (D)me,
oh, oh.
(Em)Tell me that you’ve (A)had e (D)nough
(G)of our (C)love,
(G)our (Dsus)love.
(G)Just give me a rea son, just a (D)lit tle bit’s e nough.
Just a (Em)se cond, we’re not bro ken just (Bm)bent and we can (D7)learn to love a gain.
It’s in the stars, it’s been (D)writ ten in the scars on our hearts that we’re not bro ken just (Bm)bent, and we can (D7)learn to love a gain.
This page shows “Just Give Me A Reason” by P!nk in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 100 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build your chord vocabulary in the key of G, and at 100 BPM it sits in a comfortable pocket where you can really focus on smooth transitions. Your left hand plays block chords throughout, so the main challenge isn't complex bass patterns — it's cleanly moving between nine different chord shapes, especially the shifts involving Bm and Dsus4, which tend to trip beginners up. Practice those two chords in isolation first: get your fingers landing on Bm without hesitation, then drill the Dsus4-to-D7 resolve until it feels automatic. I'd suggest starting hands-separate at around 70 BPM, looping the verse progression until your left hand moves on autopilot, then layering in the melody. Watch the transitions from Em to C and from A to Bm — those are the spots where most students pause or rush. Use a light touch on the sustain pedal to connect phrases, lifting cleanly on each chord change so things don't blur together. By the time this song feels easy, you'll have nine chord shapes genuinely under your fingers, and that's a foundation you'll use in dozens of pop songs going forward.