Other arrangements of The Flesh Failures (Let The Sunshine In) (From 'Hair')
Pick a learning view.
We (Bm)starve, look
at one an oth er, short of breath walk tar.
ing proud ly in our win ter (A)coats.
Wear
ing smells I from la b’ra to ries (Bm)fac ing a dy ing na (D)tion in space.
of (Bm)mov ing pa per fan ta sy.
Lis t’ning for the new told lies
with su (G)preme vi sions of (D)lone ly tunes.
(Bm)Some where,
in side some thing there is a rush of tar.
great ness.
Who knows what stands in (A)front of
ing smells for from la b’ra to ries (Bm)fu ture a dy on dear (D)tion ie.
space.
of (Bm)Si lence pa me fan cret ly
ev t’ning for the new told ’ry
with su (G)ev vi sions ’ry (D)thing.
ly tunes.
(Bm)Man
ches ter, Eng
land Eng land.
Man ches ter, Eng land Eng land,
a cross the At lan tic Sea.
And (Em)I’m a ge nius, ge nius, I be (F#)lieve in God
and I be lieve that God be lieves in Claude, that’s (F#)me.
That’s me.
That’s (Bm)me.
(Bm)Let
the sun shine,
let
the sun shine in, the (G)sun
shine (D)in.
(Bm)Let
the sun shine,
let
the sun shine in, the (G)sun
shine (D)in.
The Flesh Failures (Let The Sunshine In) (From 'Hair') — Falling Notes Piano Tutorial
3 people have learned this song
Watch "The Flesh Failures (Let The Sunshine In) (From 'Hair')" by Galt MacDermot in falling notes style — like Synthesia. Color-coded notes fall onto the keyboard in real time. Practice left hand, right hand, or both. Key of B, 106 BPM.
Tip: Start at 50% speed to get comfortable with the fingering, then work your way up to full tempo.
Try other practice modes:
About “The Flesh Failures (Let The Sunshine In) (From 'Hair')”
- Can I learn "The Flesh Failures (Let The Sunshine In) (From 'Hair')" with falling notes like Synthesia?
- Yes — Falling Notes mode shows colored note shapes dropping onto a virtual keyboard, the same visual style as Synthesia or piano-tile games. Each note's column matches the piano key you press. Works for "The Flesh Failures (Let The Sunshine In) (From 'Hair')" with hands-separate practice in B at 106 BPM.
- What key is "The Flesh Failures (Let The Sunshine In) (From 'Hair')" by Galt MacDermot played in?
- The Flesh Failures (Let The Sunshine In) (From 'Hair') is arranged in the key of B on Super Simple Piano. You can transpose to any other key live in the player.
- What's the tempo (BPM) of "The Flesh Failures (Let The Sunshine In) (From 'Hair')"?
- The arrangement plays at 106 BPM. Use the speed control (10-200%) to practice slower or play faster.
- Is "The Flesh Failures (Let The Sunshine In) (From 'Hair')" easy to play on piano?
- Yes — this is one of our beginner-friendly arrangements with simplified chords and color-coded notes.
- Can I download sheet music for "The Flesh Failures (Let The Sunshine In) (From 'Hair')"?
- Yes — registered users can download PDF sheet music, plus MIDI and MusicXML files for use in other notation software.
- Who composed "The Flesh Failures (Let The Sunshine In) (From 'Hair')"?
- "The Flesh Failures (Let The Sunshine In) (From 'Hair')" was originally performed by Galt MacDermot. The Super Simple Piano arrangement is simplified for beginner-to-intermediate players.
- What other songs by Galt MacDermot can I play here?
- Try "Air (from 'Hair')", "Air (from Hair)", "Aquarius (from 'Hair')". All are in our player with color-coded notes; pick the one matching your level.
- Can I practice left and right hand separately for "The Flesh Failures (Let The Sunshine In) (From 'Hair')"?
- Yes! Our Top Down mode lets you isolate the left hand (bass clef), right hand (treble clef), or play both together. This makes it easy to master "The Flesh Failures (Let The Sunshine In) (From 'Hair')" one hand at a time before combining them.
- What is falling notes style for "The Flesh Failures (Let The Sunshine In) (From 'Hair')"?
- Falling notes (also known as Synthesia or piano waterfall) shows color-coded rectangles falling from the top of the screen onto a virtual keyboard. Each note's position matches the piano key you need to press. "The Flesh Failures (Let The Sunshine In) (From 'Hair')" is in the key of B at 106 BPM.
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