Other arrangements of Stealing Cinderella
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(Db)I came to see her dad (Eb)dy to get for a (Ab)sit down man to man.
when I It was n’t an y se (Eb)cret me say, “Now, I’d be (Ab)ask in’ for her hand.
I guess it’s (Db)why he left me wait ing in the (Ab)liv in’ room (Ab)by my self
with at (Bbm7)least a doz en pic tures of her sit tin’ on a shelf.
She was (Db)play in’ Cin der el la, she was (Db)rid in’ her first bike,
and (Fm7)bounc in’ on the bed and look in’ for a pil low fight.
(Db)Run nin’ through the sprin kler with a big Pop si cle grin,
(Eb)danc in’ with her dad,
look in’ up at him.
In her (Bbm7)eyes I’m Prince Charm in’, but to (Ab)him, I’m just some (Db)fel la
(Bbm7)rid in’ in and (Eb)steal in’ Cin der (Db)el la.
I (Db)leaned in towards see those pic (Eb)tures to get a a (Ab)bet ter look at one,
when I It heard a voice y be (Eb)hind me say, “Now, I’d be (Ab)ain’t she some thin’, son?”
I said, it’s (Db)“Yes, she’s quite a wom an.” in And (Ab)he in’ just (Ab)stared at me.
And I (Bbm7)re al ized that in his eyes her she would al ways be
She was (Db)play in’ Cin der el la, she was (Db)rid in’ her first bike,
and (Fm7)bounc in’ on the bed and look in’ for a pil low fight.
(Db)Run nin’ through the sprin kler with a big Pop si cle grin,
(Eb)danc in’ with her dad,
look in’ up at him.
In her (Bbm7)He gives a hard time.
but to (Ab)I can’t blame the (Db)fel la.
(Bbm7)rid in’ in and (Eb)steal in’ Cin der (Db)el la.
I (Fm)el la.
Oh, he (Eb)slapped me on the shoul (Ab)der,
then he (Db)called her in the room.
The way she (Eb)threw her arms a round him, that’s when (Bbm7)I could (Ab)see it, too.
She was (Bbm7)I’m the one who’s (Eb)steal in’
Cin der (Db)el la.
Stealing Cinderella — Falling Notes Piano Tutorial
78 people have learned this song
Watch "Stealing Cinderella" by Chuck Wicks in falling notes style — like Synthesia. Color-coded notes fall onto the keyboard in real time. Practice left hand, right hand, or both. Key of Db, 138 BPM.
Tip: Use the speed control to practice at 70% tempo first. Focus on tricky chord transitions before attempting the full arrangement.
Try other practice modes:
About “Stealing Cinderella”
- Can I learn "Stealing Cinderella" with falling notes like Synthesia?
- Yes — Falling Notes mode shows colored note shapes dropping onto a virtual keyboard, the same visual style as Synthesia or piano-tile games. Each note's column matches the piano key you press. Works for "Stealing Cinderella" with hands-separate practice in Db at 138 BPM.
- What key is "Stealing Cinderella" by Chuck Wicks played in?
- Stealing Cinderella is arranged in the key of Db on Super Simple Piano. You can transpose to any other key live in the player.
- What's the tempo (BPM) of "Stealing Cinderella"?
- The arrangement plays at 138 BPM. Use the speed control (10-200%) to practice slower or play faster.
- Is "Stealing Cinderella" easy to play on piano?
- This is a medium-difficulty arrangement. Most players can learn it within a few practice sessions using the speed control.
- Can I download sheet music for "Stealing Cinderella"?
- Yes — registered users can download PDF sheet music, plus MIDI and MusicXML files for use in other notation software.
- Who composed "Stealing Cinderella"?
- "Stealing Cinderella" was originally performed by Chuck Wicks. The Super Simple Piano arrangement is simplified for beginner-to-intermediate players.
- What chords are used in "Stealing Cinderella"?
- This arrangement uses 7 chords: Ab, Bbm7, Cm, Db, Eb, Fm, Fm7.
- Can I practice left and right hand separately for "Stealing Cinderella"?
- Yes! Our Top Down mode lets you isolate the left hand (bass clef), right hand (treble clef), or play both together. This makes it easy to master "Stealing Cinderella" one hand at a time before combining them.
- What is falling notes style for "Stealing Cinderella"?
- Falling notes (also known as Synthesia or piano waterfall) shows color-coded rectangles falling from the top of the screen onto a virtual keyboard. Each note's position matches the piano key you need to press. "Stealing Cinderella" is in the key of Db at 138 BPM.
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