This arrangement is a great way to build confidence with minor-key chord shapes — your right hand will move between Am, C, F, and Em voicings that sit close together on the keyboard, so focus on keeping your fingers relaxed and near the keys between changes.

Your left hand follows an oompah bass pattern, meaning you'll play a low root note followed by a higher chord chunk in a steady alternating rhythm — at 84 BPM that's unhurried, but keeping it even is everything, so practice the left hand alone first until it feels automatic.

The trickiest moment for most students is the shift to E7, which sneaks in a G♯ your fingers won't expect; isolate that transition and loop it a few times slowly before playing through.

Once both hands feel solid separately, combine them at around 60 BPM and only speed up when the oompah groove locks in without thinking.

Light sustain pedal on each chord change will glue the sound together beautifully.

This is the song that'll make those Am-to-F and Em-to-C transitions second nature — skills you'll reuse in dozens of pop ballads going forward.