Other arrangements of S.o.s.
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La, la, la, la, la, la, la, la, la, la, la, oh,
oh, oh.
La, la, la, la, la, la, la, la, la, la, la, oh,
oh, oh.
I’m ob ses sive when just one thought of you comes up.
And I’m ag gres sive; just one thought, I’m close e nough.
You got me stress in’, in ces sant ly press in’ the is sue, ’cause ev ’ry mo ment gone you know I miss you.
I’m the ques tion and you’re of course the an swer.
Just hold me clos er, boy, ’cause I’m your ti ny danc er.
You make me shak en up, nev er mis tak en but I can’t con trol my self.
Got me call in’ out for help.
S O S, please some one help me.
It’s not health y for me to feel this.
Y O U are mak in’ this hard.
I can’t take it, see, it don’t feel right.
S O S, please some one help me.
It’s not health y for me to feel this.
Y O U are mak in’ this hard.
You got me toss in’ and turn in’, can’t sleep at night.
This time, please some one come and res cue me ’cause you on my mind, it’s got me los in’ it.
I’m lost, you got me look in’ for the rest of me and love is test in’ me, but, still I’m los in’ it.
This time, please some one come and res cue me ’cause you on my mind, it’s got me los in’ it.
I’m lost, you got me look in’ for the rest of me, got the best of me, so now I’m los in’ it.
Just your pres ence and I sec ond guess my san i ty.
Yes, it’s a les son.
It’s un fair you stole my van i ty.
My tum my’s up in knots so when I see you get so hot my com mon sense is out the door.
Can’t seem to find the lock.
Take on me, (uh huh,) you know in side you feel it right.
Take me home, I could just die up in your arms to night.
I’m out with you, you got me head o ver heels.
Boy, you keep me hang in’ on the way you make me feel.
S O S, please some one help me.
so now I’m los in’ it.
Boy, you know you got me feel in’ o pen.
And, boy, your love’s e nough with words un spo ken.
I said, boy, I’m tell ing you you got me o pen.
I don’t know what to do, it’s true.
I’m go in’ cra zy o ver you.
I’m beg gin’, S O S, please some one help me.
It’s not health y for me to feel this.
Y O U are mak in’ this hard.
You got me toss in’ and turn in’, can’t sleep at night.
This time, please some one come and res cue me, ’cause you on my mind, it’s got me los in’ it.
I’m lost, you got me look in’ for the rest of me, and love is test in’ me, but, still I’m los in’ it.
This time, please some one come and res cue me, ’cause you on my mind, it’s got me los in’ it.
I’m lost, you got me look in’ for the rest of me, got the best of me, so now I’m los in’ it.
La, la, la, la, la, la, la, la, la, la, la, oh,
oh, oh.
La, la, la, la, la, la, la, la, la, la, la, oh,
oh, oh.
S.o.s. — Classic Piano Sheet Music
5 people have learned this song
Read "S.o.s." by Rihanna in classic piano notation — both hands, real chords + notes, in the published key of F#. Engraved server-side from the publisher MusicXML; click any note to jump there as the score follows along at 130 BPM.
Tip: Use the speed control to practice at 70% tempo first. Focus on tricky chord transitions before attempting the full arrangement.
Try other practice modes:
About “S.o.s.”
- Is this the same engraved sheet music a piano teacher would print for "S.o.s."?
- Yes — the score is rendered server-side from the publisher MusicXML using Verovio (the same engine RISM and OpenScore use). Standard piano notation, treble + bass staves, real chord symbols, key signature F#. Print-quality and identical to what you'd see in a printed piano book.
- What key is "S.o.s." by Rihanna played in?
- S.o.s. is arranged in the key of F# on Super Simple Piano. You can transpose to any other key live in the player.
- What's the tempo (BPM) of "S.o.s."?
- The arrangement plays at 130 BPM. Use the speed control (10-200%) to practice slower or play faster.
- Is "S.o.s." easy to play on piano?
- This is a medium-difficulty arrangement. Most players can learn it within a few practice sessions using the speed control.
- Can I download sheet music for "S.o.s."?
- Yes — registered users can download PDF sheet music, plus MIDI and MusicXML files for use in other notation software.
- Who composed "S.o.s."?
- "S.o.s." was originally performed by Rihanna. The Super Simple Piano arrangement is simplified for beginner-to-intermediate players.
- What chords are used in "S.o.s."?
- This arrangement uses 1 chord: F#m. Only a handful of chords — beginner-friendly.
- What other songs by Rihanna can I play here?
- Try "A MILLION MILES AWAY", "REHAB", "UNFAITHFUL". All are in our player with color-coded notes; pick the one matching your level.
- Is this the same notation a piano teacher would hand me?
- Yes — "S.o.s." is rendered at engraver quality (the Verovio engine, the same toolkit RISM and OpenScore editions use) from the original publisher MusicXML. You get standard piano notation: treble + bass clefs, key signature F#, time signature, beams, dynamics — everything a printed sheet music book would have. Great for piano students learning to read music properly.
- What's the difference between Sheet Music and the other modes here?
- Sheet Music is the "classic" view — the one your piano teacher uses. Other modes (Beginner, Fall Down, Simple Sheet, Lead Sheet) trade real notation for color-coded notes and falling shapes to help absolute beginners. Use Sheet Music once you're ready to read both hands at once from real notation.
- Can I practice from this view at my own pace?
- Yes — slow the tempo from 130 BPM down (or up) without changing the pitch. The score scrolls in time and the currently playing note is highlighted, so you can drill a tough bar at half speed and bump it up once it feels comfortable.
- Why can I click a note in the score?
- Every notehead is interactive. Click and the audio jumps to that moment so you can drill a specific phrase or bar instead of replaying from the top. The currently playing note is highlighted as the music advances so your eye never loses its place.
- Can I download the sheet music as a PDF?
- Yes — Sheet Music PDF is one of the download formats for this song. The engraved score prints page-perfect on A4 / Letter so you can practice from paper as well as on screen.
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