It on ly hap pens when I (Dm7)dance (C#dim7)with (G13)you,

that trip to heav en (C#dim7)till the (D)dance is (G13)through.

With no one (Fm6)else do the heav ens seem (C)quite so near.

(Bdim7)Why does (C6)it (A7sus)hap pen, (A7)dear,

(Dm7)on ly with (G9)you?

Two cheeks to geth er can be (Dm7)so

(C#dim7)di (G13)vine,

but on ly when those (C#dim7)cheeks are (D)yours

and (G13)mine.

I’ve danced with (Fm6)doz ens of oth ers the (C)whole

(E)night

(A7sus)through,

but the thrill that (G9)comes with spring (G)when an (C6)y thing (Em7)could hap (A7)pen,

that on ly (G7)hap pens

with (C6)you!

It on ly hap pens when I (Dm7)dance

(C#dim7)with (G13)you,

that trip to heav en (C#dim7)till the (D)dance

is (G13)through.

With no one (Fm6)else do the heav ens seem (C)quite so near.

(Bdim7)Why does (C6)it (A7sus)hap pen, (A7)dear,

(Dm7)on ly with (G9)you?

Two cheeks to geth er can be (Dm7)so (C#dim7)di (G13)vine,

but on ly when those (C#dim7)cheeks are (D)yours and (G13)mine.

I’ve danced with (Fm6)doz ens of oth ers the (C)whole (E)night

(A7sus)through,

but the thrill that (G9)comes with spring (G)when an (C6)y thing (Em7)could hap (A7)pen,

that on ly (G7)hap pens

with (C6)you!

(C6)you!