This arrangement is a great way to work on smooth chord voicings in the key of A, and at 110 BPM it moves at a steady pop-rock pulse that rewards relaxed, confident hands.

Your right hand will cycle through A, Amaj7, and A6 shapes — notice these share common tones, so keep your fingers anchored and just move the one voice that changes.

The trickier moments come when you shift to D and Dsus4, then resolve back; practice that D–Dsus4–D motion in isolation until the sus4 release feels automatic.

Left hand has a mixed bass pattern, so you'll alternate between single roots and light rhythmic fills — don't rush these, lock them to your internal beat.

I'd suggest hands-separate first at around 80 BPM, especially through the B and E transitions where the jump is wider and students often land late.

Once each hand feels easy, bring them together and loop the verse progression until the chord changes disappear from your thinking.

This is the piece that will build your confidence moving between major, maj7, and sixth chords — a skill that opens up dozens of songs in this style.