Hol
ly (A)ho
ly (E)eyes
dream
of on
ly me,
where I am,
what I am,
what I be (A)lieve (A6)in.
Hol ly ho ly.
Hol
ly (A)ho
ly (E)dream,
want
ing on
ly you.
And she come,
and I run
just like the (A)wind (A6)will.
Hol ly ho ly.
(Sing!) Sing a song.
(E)(Sing!) Sing a song of songs.
(E)(Sing!) Sing it out!
Sing (A)it strong!
(Sing it!) (Sing it!) (Sing it!) (Sing it!) (A)Yeah!
(A)Yeah!
Call the (D)sun in the dead of the night, and the sunβs gon na rise in the sky.
Touch a (D)man who canβt walk up right, and that lame man, he gon na fly.
And I fly.
Yeah!
And I fly.
(E)Hol
ly ho
ly love,
take
a lone
ly child.
And the seed,
let it be
filled with to (A)mor (A6)row.
Hol ly ho ly.
(E)Hol
ly ho
ly dream,
dream
of on
ly you.
Hol
hol ly ho
ho ly sun.
Hol
hol ly ho
ly rain.
Hol
ly (A)ho
ly (E)love.
This page shows βHolly Holyβ by Neil Diamond in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of A at 110 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement is a great way to work on smooth chord voicings in the key of A, and at 110 BPM it moves at a steady pop-rock pulse that rewards relaxed, confident hands. Your right hand will cycle through A, Amaj7, and A6 shapes β notice these share common tones, so keep your fingers anchored and just move the one voice that changes. The trickier moments come when you shift to D and Dsus4, then resolve back; practice that DβDsus4βD motion in isolation until the sus4 release feels automatic. Left hand has a mixed bass pattern, so you'll alternate between single roots and light rhythmic fills β don't rush these, lock them to your internal beat. I'd suggest hands-separate first at around 80 BPM, especially through the B and E transitions where the jump is wider and students often land late. Once each hand feels easy, bring them together and loop the verse progression until the chord changes disappear from your thinking. This is the piece that will build your confidence moving between major, maj7, and sixth chords β a skill that opens up dozens of songs in this style.