Other arrangements of Beyond Me
Pick a learning view.
Call it a rea (G)son to re treat;
I got some dreams (G)that are (C)big ger than (F)me.
I might be (Am)out matched, out (G)sized, the (C)un der dog (F)in the fight of my life.
Is it so cra (G)zy to be lieve
(CN.C.)that You (Am)gave me the stars, (G)put them (C)out of my (F)reach,
called me to wa (G)ters a (C)lit tle too (F)deep?
Oh, I’ve nev er been (G)so a (C)ware of my (F)need.
You keep on mak ing me see it’s (F)way be yond me.
It’s way be yond me.
Yeah, it’s out of my league.
It’s way be yond me.
It’s way be yond (Dm7)me.
It’s way be yond an y thing that I got (G)the strength to do.
In o ver my head (G)keeps me (C)count ing on (F)You.
I’m leav ing the (Am)sweet spot, sure (G)shot, (C)trad ing it all (F)for the plans You got.
Is it so cra (G)zy to be lieve
(CN.C.)that You
You take me to the place where I know I need You,
straight to the depths (C)that I can’t (G)han dle on my own.
And, (F)Lord, I know, I know I need You,
so (Am)take me to Your great,
take me to Your great un known.
It’s way be yond me, way, way (F)be yond me.
It’s, it’s (Am)way, way be yond (G)me, way, way, way (F)be yond (CN.C.)me.
Yeah, You (Am)gave me the stars, (G)put them (C)out of my (F)reach,
called me to wa (G)ters just a (C)lit tle too (F)deep.
Oh, I’ve nev er been (G)so a (C)ware of my (F)need.
Yeah, You keep on mak ing me see it’s (CN.C.)way be yond me.
It’s way be yond me.
Yeah, it’s out of my league.
It’s way be yond me.
It’s way be yond (Dm7)me.
It’s way be yond me.
You (Am)take me to the place where I know I (G)need You,
straight to the depths that I can’t han dle on my own.
You (Am)take me to the place where I know I (G)need You.
Oh, (F)take me to Your great,
take me to Your great un (CN.C.)known.
Beyond Me — Visual Piano Sheet Music
"Beyond Me" in visual bar notation — see every note as a colored bar on the staff. Easier to read than traditional sheet music. Scrolls automatically as you play. Key of C, 112 BPM.
Tip: Start at 50% speed to get comfortable with the fingering, then work your way up to full tempo.
Try other practice modes:
About “Beyond Me”
- Why does "Beyond Me" show as colored bars instead of notation?
- Bar Notation replaces traditional noteheads with colored horizontal bars on a simplified staff — each bar's vertical position is the pitch and its length is the duration. Much easier to read than classic sheet music while still showing the full arrangement of "Beyond Me".
- What key is "Beyond Me" by tobyMac played in?
- Beyond Me is arranged in the key of C on Super Simple Piano. You can transpose to any other key live in the player.
- What's the tempo (BPM) of "Beyond Me"?
- The arrangement plays at 112 BPM. Use the speed control (10-200%) to practice slower or play faster.
- Is "Beyond Me" easy to play on piano?
- Yes — this is one of our beginner-friendly arrangements with simplified chords and color-coded notes.
- Can I download sheet music for "Beyond Me"?
- Yes — registered users can download PDF sheet music, plus MIDI and MusicXML files for use in other notation software.
- Who composed "Beyond Me"?
- "Beyond Me" was originally performed by tobyMac. The Super Simple Piano arrangement is simplified for beginner-to-intermediate players.
- What chords are used in "Beyond Me"?
- This arrangement uses 7 chords: Am, C, Dm7, Dm9, Dmin, F, G.
- What other songs by tobyMac can I play here?
- Try "MADE TO LOVE", "CITY ON OUR KNEES", "STEAL MY SHOW". All are in our player with color-coded notes; pick the one matching your level.
- Is this real sheet music for "Beyond Me"?
- It's a simplified visual notation using colored bars instead of traditional notes. Each bar's vertical position shows the pitch and its length shows duration — much easier to read for beginners while still showing the complete arrangement of "Beyond Me".
- Can I see all the notes in "Beyond Me"?
- Yes! The Bar Sheet shows every note in the arrangement as a colored bar. The sheet scrolls automatically during playback, or you can scroll manually to study any section. The song is in the key of C at 112 BPM.
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