Other arrangements of Adia
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A di a, I do be lieve I (G)failed you.
A di a, I know I’ve let you (Bm)down.
Don’t you know I (Cmaj7)tried so hard to (G)love you in my (Em)way.
It’s (A7)eas y let it go.
A di a, I’m (C)emp ty since you (G)left me.
Try ing to find a (C)way to car ry (Bm)on.
I (G)search my self and (Cmaj7)ev ’ry one to (G)see where we went (D)wrong.
There’s (Am)no one left to fin ger.
There’s (G)no one here to blame.
There’s (Am)no one left to (Dsus2)talk to, (D)hon ey, and there (G)ain’t no one to (Dm)buy our in no cence
’cause (D)we are born
in no cent.
Be lieve me, (C)A di a,
we are still (D)in no cent.
It’s (Fdim)eas y, we all fal (Am7)ter.
And does it (B7)mat ter?
A di a, I (C)thought that we could (G)make it.
Try I know I can’t (C)change the way you (Bm)feel.
I (G)leave you with your (Cmaj7)mis er y, a (G)friend who won’t be (D)tray.
There’s (Am)Pull you from your tow er.
I (G)take a way your pain.
I (Am)show you all the (Dsus2)beau ty (D)you pos sess there (G)if you’d on ly (Dm)let your self be lieve
that (D)we are born
in no cent.
Be lieve me, (C)A di a,
we are still (D)in no cent.
It’s (Fdim)eas y, we all fal (Am7)ter.
And does it (B7)mat ter?
(B7)mat ter?
’Cause we are born
in no cent.
Be lieve me (C)A di a,
we are still (D)in no cent.
It’s (Fdim)eas y, we all fal (Am7)ter.
Does it mat ter?
Be lieve me, (G)A di a,
we are still in no cent.
’Cause (D7)we are born mat ter?
Adia — Karaoke: Lyrics & Chords to Sing & Play Along
7 people have learned this song
Free karaoke for "Adia" by Sarah McLachlan: lyrics on screen with the chords above each line and a bouncing ball that lands on every word in time. Sing along, or play along on guitar or piano from the chord chart. Change the key to fit your voice, slow the tempo down. Key of G, 156 BPM.
Tip: Start at 50% speed to get comfortable with the fingering, then work your way up to full tempo.
Try other practice modes:
About “Adia”
- What key is "Adia" by Sarah McLachlan played in?
- Adia is arranged in the key of G on Super Simple Piano. You can transpose to any other key live in the player.
- What's the tempo (BPM) of "Adia"?
- The arrangement plays at 156 BPM. Use the speed control (10-200%) to practice slower or play faster.
- Is "Adia" easy to play on piano?
- Yes — this is one of our beginner-friendly arrangements with simplified chords and color-coded notes.
- Can I download sheet music for "Adia"?
- Yes — registered users can download PDF sheet music, plus MIDI and MusicXML files for use in other notation software.
- Who composed "Adia"?
- "Adia" was originally performed by Sarah McLachlan. The Super Simple Piano arrangement is simplified for beginner-to-intermediate players.
- What other songs by Sarah McLachlan can I play here?
- Try "ADIA", "BUILDING A MYSTERY", "WHEN SHE LOVED ME". All are in our player with color-coded notes; pick the one matching your level.
- Is there a karaoke version of "Adia" with lyrics?
- Yes — this is a free karaoke slide for "Adia" by Sarah McLachlan. The lyrics appear on screen a line at a time and each word lights up exactly when it's sung, with a bouncing ball leading you word to word. A backing plays underneath so you can just sing.
- Does it show chords so I can play along on guitar or piano?
- It does — a chord symbol sits on a thin row just above the lyric it changes on, so the same screen doubles as a lyrics-and-chords chart. Guitarists can strum the changes and pianists can comp while singing; the chords are colour-coded and move with the live transpose if you change key.
- Can I change the key of "Adia" to match my voice or capo?
- Yes. The original is in G, but the live transpose control shifts the whole song up or down semitones until the melody sits in your range (or maps to an easier guitar shape / capo position) — the on-screen chords and the backing move with it.
- Can I slow "Adia" down to learn the words and chords?
- Yes — the tempo control lets you take it as slow as you need while the lyrics still light up in time and the ball keeps you on the beat. Speed it back up once you can sing and play it through.


