Other arrangements of Tomorrow
Pick a learning view.
You know it’s hard to be your
friend,
I hate to let you down a gain.
(F#)And there’s some We don’t know how it’s gon na end,
’cause (D#m)now you know the se cret
(E)I can nev er mend.
And this could (F#)be (G#m)gone when we wake (B)up
to (Emaj7)mor row.
Hearts are un (G#m)chained, time that is (B)left
is (Emaj7)bor rowed.
And I can’t take the (G#m)way that you look at me
Is there an y (Emaj7)place you and I could be?
And we could go a (D#m)way.
It all could go a (D#m)way.
This si lence is deaf en
friend,
This o cean is with out an end.
(F#)And there’s some thing I know,
some thing I know, we were meant to be.
Please lis ten to me,
are you list ’ning?
’Cause
(Emaj7)mor row.
Hearts are un (G#m)chained, time that is (B)left
is (Emaj7)bor rowed.
And I can’t take the (G#m)way that you look at me
Is there an y (Emaj7)place you and I could be?
And we could go a (D#m)way.
It all could go a (D#m)way.
To (G#m)mor row.
To (G#m)mor row
And this could be (G#m)gone when we wake (B)up
to (E)mor row.
Hearts are un (G#m)chained, time that is (B)left
is (Emaj7)bor rowed.
And I can’t take the (G#m)way that you look at me.
Is there an y (Emaj7)place you and I could be?
And we could go a (D#m)way.
This all could go a (D#m)way.
Tomorrow — Piano Accompaniment Track
Free piano accompaniment for "Tomorrow" by Olly Murs. Sing along or play your instrument over the backing piano. Toggle the vocal melody on/off, change key to fit your voice, adjust tempo. Key of G#, 60 BPM.
Tip: Press play and sing the melody on top of the piano. If the original key (G#) sits too high or low for your voice, use the transpose control to shift the accompaniment into a comfortable range — the backing moves with you. Need a pitch reference? Tap the mic icon to bring the vocal melody in.
Try other practice modes:
About “Tomorrow”
- How do the bar-notation visuals help sing "Tomorrow" with this backing?
- Each chord change drops as a colored bar across the staff, scrolling in real time so you can see exactly when the harmony shifts. Helpful for hitting entrances and judging when to breathe — especially on phrases that don't begin on beat 1 of "Tomorrow".
- What key is the piano accompaniment for "Tomorrow" by Olly Murs in?
- The backing track is in G# at 60 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.
- Can I sing over "Tomorrow" with this accompaniment?
- Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.
- Is this a karaoke version of "Tomorrow"?
- Effectively yes — it's the piano-only backing for "Tomorrow", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.
- Can I use "Tomorrow" as a backing track for my instrument?
- Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.
- Can I download the accompaniment for "Tomorrow"?
- Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.
- Who wrote "Tomorrow"?
- "Tomorrow" was originally performed by Olly Murs. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.
- What other backing tracks by Olly Murs are available?
- Other accompaniments by Olly Murs: "Dear Darlin'", "Dear Darlin'", "Did You Miss Me". Same toggle-the-melody, change-the-key setup.
- How do I use "Tomorrow" as a backing track?
- Just press play — the piano accompaniment runs from start to end, no vocals. Sing, hum, or play your own instrument over it. Use the mic icon to add a vocal melody as a pitch reference, and the speed control if you want a slower practice tempo.
- Can I change the key of "Tomorrow" to fit my voice?
- Yes — the original is in G#, but the player has a live transpose control so you can shift up or down semitones until the melody sits in your vocal range. The piano accompaniment moves with the new key automatically.