I (A)found a map and it broke my heart.
I did n’t know that I’d ev er go this far with a com pass point driv ing ink in to my arm.
The (A)Fa ther, Son and the Ho ly Ghost.
We don’t talk too much.
Nev er been that close.
Pour ing spi rits while I fol low the North ern (E)Star.
And as the (D)birds fly (A)south I’ve been (F#m)miss ing a small (A)house that holds (D)all be be my neath my (A)words in pre cious (E)store.
I found your (D)mess age (A)ly ing at the (F#m)bot tom of a bot tle.
Come back to (E)where the (D)streets are (E)paved with (A)stone.
I be (D)lieve in (A)you.
You be (F#m)lieve in me.
You’re the (D)light house (A)in the (E)storm.
I be (D)lieve it’s (A)true.
I can (F#m)fol low you
back to (E)where the (D)streets are (E)paved with (A)stone.
I’d swap the (A)scent of op en o cean my there I for the fac tory steel and the en gin eers.
Well I’m com ing back to some thing in beau ti ful.
The (A)All the noise and and all the lights are don’t all the things I’d sa cri that fice.
Pour I’d trade it for the way you make me feel.
(E)Star.
And as the (D)days they (A)pass, fall ing (F#m)through the hour small (A)glass, used to (D)all be be my neath my (A)feet a long the (E)shore.
I found your (D)mess age (A)ly ing at the (F#m)bot tom of a bot tle.
Come back to (E)where the (D)streets are (E)paved with (A)stone.
I be (D)lieve in (A)you.
You be (F#m)lieve in me.
You’re the (D)light house (A)in the (E)storm.
I be (D)lieve it’s (A)true.
I can (F#m)fol low you
back to (E)where the (D)streets are (E)paved with (A)stone.
I’d swap the (A)stone.
Back to (E)where the (D)streets are (E)paved with (A)stone.
(D)Once a round the world.
(Esus4)Once a round the world.
(F#m7)Once a round the world back to you.
(D)Once a round the world.
(Esus4)Once a round the world.
(D)Once a round the world back to you.
I be (A)stone.
Back to (E)where the (D)streets are (E)paved with (A)stone.
Oh,
(F#m)oh,
oh.
Oh, Once a round the world.
(F#m)oh.
Once a round the world.
Back to (E)where the (D)streets are (E)paved with (A)stone.
Back to (E)where the (D)streets are (E)paved with (A)stone.
Lighthouse — Piano Accompaniment (Falling Notes)
Free piano accompaniment for "Lighthouse" by Lucy Spraggan in falling-notes (Synthesia) style. Watch the chord notes fall as you sing or play your instrument over the backing. Adjustable key + tempo. Original key A, 100 BPM.
Tip: Press play and sing the melody on top of the piano. If the original key (A) sits too high or low for your voice, use the transpose control to shift the accompaniment into a comfortable range — the backing moves with you. Need a pitch reference? Tap the mic icon to bring the vocal melody in.
Try other practice modes:
About “Lighthouse”
- What key is the piano accompaniment for "Lighthouse" by Lucy Spraggan in?
- The backing track is in A at 100 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.
- Can I sing over "Lighthouse" with this accompaniment?
- Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.
- Is this a karaoke version of "Lighthouse"?
- Effectively yes — it's the piano-only backing for "Lighthouse", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.
- Can I use "Lighthouse" as a backing track for my instrument?
- Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.
- Can I download the accompaniment for "Lighthouse"?
- Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.
- Who wrote "Lighthouse"?
- "Lighthouse" was originally performed by Lucy Spraggan. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.
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