Other arrangements of Headlights (Featuring Nate Ruess)
Pick a learning view.
(B)Mom,
I know I (G#m)let you (F#)down.
And though you say the days are hap py why is the (F#)pow er off and I’m fucked up?
And (B)mom,
I know he’s (G#m)not a (F#)round,
but don’t you (E)place the blame on me as you (F#)pour your self an oth er drink, yeah.
I guess we are who we are.
(E)Head lights shin in’ in the dark night, I drive (F#)on.
May be we took this too far.
I went in headfirst never thinking about who what I (G#m)said hurt, in what verse my mom probably got it the worst.
The brunt of it, but as stubborn as we are did I take it too far?
Cleaning out my closet and all them other songs but regardless I don’t hate you, ’cause ma!
You’re still beautiful to me, ’cause you’re my (G#m)ma though far be it for you to be calling, my house was Vietnam Desert Storm and both of us put together can form an atomic bomb equivalent to chemical warfare and forever we can drag this on and on.
But agree to disagree that gift for me up (G#m)under the Christmas tree don’t mean shit to me.
You’re kicking me out?
It’s 15 degrees and it’s Christmas Eve.
(Little prick just leave.) Ma, let me grab my fucking coat, anything to have each other’s goats.
Why we always at each others throats?
Especially when dad, he fucked us both.
We’re in the same (G#m)fucking boat, you’d think that it’d make us close, (Nope.) further away it drove us, but together headlights shining, car full of belongings.
Still got a ways to go, back to grandma’s house it’s straight up the road and I was the man of the house, the oldest, so my shoulders carried the (G#m)weight of the load.
Then Nate got taken away by the state at 8 years old, and that’s when I realized you were sick and it wasn’t fixable or changeable and to this day we remained estranged and I hate it though, but...
I guess we are who we are.
(E)Head lights shin in’ in the dark night, I drive (F#)on.
May be we took this too far.
I went in ’Cause to this day we remain estranged and (G#m)hate it though.
’Cause you ain’t even get to witness your grandbabies grow.
But I’m sorry mama for cleaning out my closet, at the time I was angry, rightfully maybe so, never meant that far to take it though.
’Cause now I know it’s not your fault, and I’m (G#m)not making jokes.
That song I no longer play at shows and I cringe every time it’s on the radio.
And I think of Nathan being placed in a home and all the medicine you fed us and how I just wanted you to taste your own, but now the medication’s taken over and your (G#m)mental state’s deteriorating slow.
And I’m way too old to cry, that shit is painful though, but ma I forgive you, so does Nathan, yo.
All you did, all you said, you did your best to raise us both.
Foster care, that cross you bare, few may be as (G#m)heavy as yours but I love you Debbie Mathers, oh what a tangled web we have, ’cause one thing I never asked was where the fuck my deadbeat dad was.
Fuck it, I guess he had trouble keeping up with every address.
man of the house, the oldest, so my shoulders carried the (G#m)weight of the load.
Then Nate got taken away by the state at 8 years old, and that’s when I realized you were sick and it wasn’t fixable or changeable and to this day we remained estranged and I hate it though, but...
But I’d of flipped every mattress, every rock (G#m)and desert cactus.
Owned a collection of maps and followed my kids to the edge of the atlas.
Someone ever moved them from me?
That you could bet your asses if I had to come down the chimney dressed as Santa, kidnap them.
And although one has only met their grandma (G#m)once, you pulled up in our drive one night as we were leaving to get some hamburgers.
Me, her and Nate, we introduced you, hugged you and as you left I had this overwhelming sadness come over me.
As we pulled off to go our separate paths, and (G#m)I saw your headlights as I looked back and I’m mad I didn’t get the chance to thank you for being my mom and my dad.
So mom, please accept this as a tribute I wrote this on the jet.
I guess I had to get this of my chest, I hope I get the chance to lay it ’fore I’m dead.
The stewardess said to fasten my seatbelt, I guess we’re crashing.
So if I’m not dreaming, I hope you (G#m)get this message that I will always love you from afar.
’Cause you’re my (E)(ma…) I guess we are who we are.
(E)Head lights shin in’ in the dark night, I drive (F#)on.
May be we took this too far.
I want a new life,
one with out a cause.
So I’m com ing home to night.
Well, no mat ter what the cost.
And if the plane goes (B)down or if the crew can’t wake me up, well, just know that I’m al (E)right.
I was not a fraid to (F#7)die.
Oh, e ven if there’s (B)songs to sing, well my child ren will (G#m)car ry me.
Just know that I’m al (E)right.
I was not a fraid to (F#7)die be cause I put my faith in (B)my lit tle girl, so I nev er say good (G#m)bye cruel world.
Just know that I’m al (E)right.
I am not a fraid to (F#7)die.
I wan na new life.
Headlights (Featuring Nate Ruess) — Piano Accompaniment (Falling Notes)
Free piano accompaniment for "Headlights (Featuring Nate Ruess)" by Eminem in falling-notes (Synthesia) style. Watch the chord notes fall as you sing or play your instrument over the backing. Adjustable key + tempo. Original key B, 80 BPM.
Tip: Press play and sing the melody on top of the piano. If the original key (B) sits too high or low for your voice, use the transpose control to shift the accompaniment into a comfortable range — the backing moves with you. Need a pitch reference? Tap the mic icon to bring the vocal melody in.
Try other practice modes:
About “Headlights (Featuring Nate Ruess)”
- Why does the accompaniment for "Headlights (Featuring Nate Ruess)" show falling notes?
- Falling Notes makes each chord visual — colored notes drop onto the keyboard so you can FEEL the rhythm of the backing before each entry. Singers find it easier to lock in with the piano's groove when they see the chord notes land instead of just hearing them.
- What key is the piano accompaniment for "Headlights (Featuring Nate Ruess)" by Eminem in?
- The backing track is in B at 80 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.
- Can I sing over "Headlights (Featuring Nate Ruess)" with this accompaniment?
- Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.
- Is this a karaoke version of "Headlights (Featuring Nate Ruess)"?
- Effectively yes — it's the piano-only backing for "Headlights (Featuring Nate Ruess)", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.
- Can I use "Headlights (Featuring Nate Ruess)" as a backing track for my instrument?
- Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.
- Can I download the accompaniment for "Headlights (Featuring Nate Ruess)"?
- Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.
- Who wrote "Headlights (Featuring Nate Ruess)"?
- "Headlights (Featuring Nate Ruess)" was originally performed by Eminem. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.
- Can I use "Headlights (Featuring Nate Ruess)" as a backing track for singing?
- Yes — this is the piano accompaniment for Headlights (Featuring Nate Ruess) by Eminem, with the chord notes falling visually so you can see exactly when each chord lands. Original key is B; transpose live to fit your voice.
- How is this different from the bar-sheet accompaniment?
- Same audio backing — different visualization. Falling notes show each chord note dropping in real time (like Synthesia), which makes the chord rhythm easier to feel. Use whichever view helps you stay on the beat.
More songs you might like
Love The Way You Lie
Eminem
HOLD ON, WE'RE GOING HOME
Drake
One Dance
Drake
GOLD DIGGER
Kanye West
Now And Later
Sage the Gemini
Empire State Of Mind
Jay-Z featuring Alicia Keys
Too Good
Drake
SAVING GRACE
Everlast
Timber
Pitbull feat. Kesha
WHERE'D YOU GO
Fort Minor
IN DA CLUB
50 Cent
Cold Water
Major Lazer feat. Justin Bieber and MO