I woke up with a
(Am)fear this morn ing,
but I (C)can taste you on the (F)tip of my (C)tongue.
A lone with out no warn ing,
you’re by my (C)side and we’ve got (F)smoke in our (C)lungs.
Last night we were way up, kiss ing in the (F)back of the (C)cab and then you (F)say (C)‘love, ba by, let’s go (G)back to my (Am)flat.’ And when we wake up, nev er had a (F)feel ing like (C)that.
I got a (F)rea son so, (C)man, put that (G)re cord on a (Am)gain.
I don’t wan na hear sad songs a ny more, I on ly want to (C)hear love songs.
I found my heart up in this (G)place to (Am)night, don’t wan na sing mad songs a ny more.
On ly want to (C)sing your song ’cause your (C)song’s got me (G)feel ing like (Am)that.
I’m in love, I’m in love, I’m in love.
I’m in love, I’m in (C)love, I’m in love.
Oh, I’m in love, I’m in love, I’m in love.
Yeah, you know, your song’s got me (G)feel ing like (C)that.
This page shows “Your Song” by Elton John in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 116 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build confidence with an oompah bass pattern in your left hand — you'll play a low root note followed by the chord higher up, alternating steadily, which gives the song its gentle, rocking feel. With just five chords (C, F, G, Am, and Am7), the shapes stay comfortable, but pay close attention to the Am-to-Am7 switch: the only difference is lifting one finger to open up that minor seventh, and rushing it is the most common stumble I see. At 116 BPM the tempo is conversational, not fast, so resist the urge to race — try it at about 80 BPM first, hands separate, until your left hand's oompah feels automatic. Then add the right hand melody and slowly bring it up to speed. Loop the F-to-G-to-C transitions until they feel effortless, because that's the emotional payoff of every phrase. Once this clicks, you'll have a solid foundation for any song built on simple chord movement with a steady bass — and your hands will really start feeling independent from each other.