Nev er say nev er.
See, I (Am)nev er thought that I could walk through fi re,
I (G)nev er thought that I could take the burn.
I (Am)nev er had the strength to take it high er
un and I’m (G)til I reached the point of no re turn.
And there’s (Am)just no turn ing back when your (C)heart’s un der at tack.
Gon na (G)give ev ’ry thing I have, it’s (D)this my des ti ny.
I will (C)nev er say nev er.
I will fight, I will (C)fight ’til for ev er.
Make it right.
When ev er (C)you knock me down, I will not (Am)stay on the ground.
Pick it up, pick it up, pick it up, pick it up, up, up.
And nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
Nev er say it, nev er, nev er say I it.
(Am)nev er thought that I could feel this pow er,
I (G)nev er thought that I could feel this free.
I’m (Am)strong e nough to climb the high est tow er
un and I’m (G)fast e nough to run a cross the sea.
And there’s (Am)just no turn ing back when your (C)heart’s un der at tack.
Gon na (G)give ev ’ry thing I have ’cause (D)this is des ti ny.
I will (C)nev er say nev er.
I will fight, I will (C)fight ’til for ev er.
Make it right.
When ev er (C)you knock me down, I will not (Am)stay on the ground.
Pick it up, pick it up, pick it up, pick it up, up, up.
And nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
Nev er say it, nev er, nev er say I it.
up, up, up.
And nev er say nev er.
Here we go!
Guess who?
J.
Smith and J.
B.!
Uh huh.
I got cha, lit tle bro.
I can han dle him.
Hold up, a’right?
I can han dle him.
Now he’s big ger than me, tall er than me, and he’s old er than me and strong er than me.
And his arm’s a lit tle bit long er than me, but he ain’t on a J.
B.
song with me!
I be try’n’ a chill, they be try’n’ a side with the thrill.
No pun in tend ed, was raised by the pow er of Will.
Like Luke with the force if push comes to shove.
Like Ko be in the fourth, ice wa ter for blood.
I’ve (Am)got to be the best and, yes, we’re the fly est.
Like (C)Da vid and Go li ath, I con quered the gi ant.
So now I got the world in my hand.
I was (D)born from two stars, so the moon’s where I land.
I will nev er say nev er.
I will fight, I will (C)fight ’til for ev er.
Make it right.
When ev er (C)you knock me down, I will not (Am)stay on the ground.
Pick it up, pick it up, pick it up, pick it up, up, up.
And nev er say nev er.
I will nev er say nev er.
I will fight, I will (C)fight ’til for ev er.
Make it right.
When ev er (C)you knock me down, I will not (Am)stay on the ground.
Pick it up, pick it up, pick it up, pick it up, up, up.
And nev er say nev er.
up, up, up.
And nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
And nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
Ne nev er say nev er.
And nev er say nev er.
This page shows “Never Say Never” by Justin Bieber in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 97 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits at a moderate 97 BPM, which gives you just enough breathing room to lock in the syncopated right-hand rhythms that drive the verse — but don't let that comfort fool you, because the off-beat accents will trip you up if you haven't internalized the pulse first. Your left hand will cycle through familiar pop chord shapes in C, so spend your first few run-throughs hands-separate, letting your left hand memorize the transitions until they feel automatic. The trickiest spot for most students is where the chorus lifts dynamically and the right hand pushes into quicker melodic phrases while the left hand keeps steady — slow that section to about 70 BPM and loop it until both hands feel independent. Watch your sustain pedal too; change it cleanly with each chord or you'll get muddy harmonics stacking up. This is a fantastic piece for building rhythmic confidence against a steady chord foundation, and once it clicks, you'll carry that coordination into every pop song you touch next.