(Bb)Mid night.
not a sound from the (Gm)pave ment.
Has the moon lost her (Eb)mem ory?
She is smi ling a (Dm)lone.
In the (Cm)lamp light the with ered leaves col (Gm)lect at my feet,
and the (F)wind
be (Eb)gins to (Bb)moan.
(Bb)Mem
ory.
All a lone in the (Gm)moon
light.
I can smile at the (Eb)old
days,
I was beau ti ful (Dm)then.
I re (Cm)mem ber the time I knew what (Gm)hap pi ness was,
let the (F)wind
be (Eb)gins to (Bb)moan.
(F)mem
ory
(Eb)live a (Bb)gain.
(Dm)Ev
ery
(Dm)street (Cm)lamp
(Dm)seems
to
(Dm)beat
a (Dm)fa
ta
(Bbmaj7)lis
tic (F)war
ning.
(Dm)Some
one
(Gm7)mut ters and a (C7)street
lamp
(Fmaj7)gut ters
and (Dm)soon
it
(Dm)will (G7)be
(C)mor
ning.
(Bb)Day
light.
I must wait for the (Gm)sun rise,
I must think of a (Eb)new life
and I must n't give (Dm)in.
When the (Cm)dawn comes, to night will be a (Gm)mem o ry too,
and a (F)new day
(Eb)will be (Bb)gin.
(Bbm)Burnt out
(Bbm)ends (Abm)of
(Bbm)smo ky
(Bbm)days,
the (Bbm)stale cold
(Gb)smell
(Ab7)of (Db)mor ning.
The (Bbm7)street lamp
(Ebm7)dies a noth er (Ab7)night is
(Dbmaj7)o ver, a (Bbm)noth er
(Eb7)day is
(Ab)daw ning.
(Db)Touch me.
It's so eas y to (Dbm)leave me
all a lone with the (Gb)mem ory
of my days in the (Fm)sun.
If you (Ebmsus4)touch me you'll (Ebm)un der stand what (Bbm)hap pi ness is.
Look a (Ab)new day
(Gb)has be (Db)gun.
This page shows βMemoryβ by Andrew Lloyd Webber in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Eb at 75 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement will seriously level up your left-hand Alberti bass β you're rolling through 27 different chord shapes in E-flat, so your fingers need to know where they're going before they get there. Start hands-separate at around 50 BPM, focusing entirely on the left hand first; the jumps between distant chords like A-flat minor to B-flat major seven can catch you off guard if you haven't mapped the physical distance. Your right hand carries a vocal-style melody that needs to sing above the bass, so keep your touch lighter and more legato up top. Use the sustain pedal generously but change it cleanly with each chord shift β muddy pedaling will wreck the melancholic mood instantly. Loop any section where you hit back-to-back unfamiliar shapes until transitions feel automatic. Once this clicks, you'll have real confidence navigating flat keys and complex chord movement, and that transfers to everything you play next.