Im ag ine there’s no heav (F)en.
It’s eas y if you (G)try.
No hell be low (F)us,
a bove us on ly (F)sky.
Im ag ine (Am)all the peo ple
(G)liv ing for to day.
(G7)A ha.
Im ag ine (C)there’s no coun (F)tries.
It is n’t (C)hard to do.
Noth ing to (C)kill or die (F)for,
and no rel ig ion (G)too.
Im ag ine (Am)all the peo ple
(G)liv ing life in peace,
(G7)yu huh.
You may (G)say I’m a (C)dream er,
but I’m (G)not the on ly (C)one.
I hope some (G)day you’ll (C)join us,
and the (G)world will (C)be one.
Im ag ine (C)there’s no coun (F)tries.
It is n’t (C)hard to do.
Noth ing to (C)kill or die (F)for,
and no rel ig ion (G)too.
Im ag ine (Am)all the peo ple
(G)liv ing life in peace,
(G7)yu huh.
You may (G)say I’m a (C)dream er,
but I’m (G)not the on ly (C)one.
I hope some (G)day you’ll (C)join us,
and the (G)world will (C)be one.
(C)live as one.
This page shows “Imagine” by John Lennon in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 120 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build your Alberti bass technique — your left hand will roll broken-chord patterns underneath simple right-hand melody lines, and keeping that left hand smooth and even at 120 BPM is really the core skill here. Most of the chords sit comfortably in C major, but watch the E7 when it appears: that G♯ can catch your fingers off guard if you're on autopilot, so isolate any passage moving from Am to E7 and loop it slowly until the hand shape feels natural. The Dm7-to-G7 transition is another spot worth drilling hands-separately before you combine them. Start at about 80 BPM, lock in the left-hand pattern until it's automatic, then layer the melody on top. Once it clicks, you'll have a reliable Alberti bass you can carry into dozens of other pieces — that's the real payoff here.