Loading song
Fetching song
On a dark des ert high way,
cool wind in my hair,
warm smell of co li tas
ris ing up through the air,
up a head, in the dis tance,
I saw a shim mer ing light.
My head grew hea vy and my sight grew dim; I had to stop for the night.
There she stood in the door way,
I heard the mis sion bell,
and I was think ing to my self: this could be (E)hea ven or this could be hell.
Then she lit up a can dle
and she showed me the way.
There were voi ces down the cor ri dor, I thought I heard them say:
‘Wel come to the Ho tel Ca li for nia.
Such a (F#)love ly place, (such a love ly place) such a (Bm)love ly face.
(G)Plen ty of room at the Ho tel Ca li for nia,
a ny (Em)time of year, (a ny time of year) you can (F#)find it here.’
This page shows “Hotel California” by Eagles in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of B at 152 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build confidence moving through a seven-chord progression in the key of B, and your left hand gets a solid workout with that octave bass pattern — keep your wrist relaxed and let your hand float between the octaves rather than tensing up on each jump. At 152 BPM the tempo moves, so start at around 80–90 BPM and lock in the chord transitions before you speed up; the shifts between F# and Bm and between Em and B minor are the ones that tend to trip beginners because your fingers need to reorganize quickly. Practice those two transitions in a loop, hands separately, until they feel automatic. Watch the move from G to D as well — it's smooth on paper but easy to rush. Once your left hand's octave pattern feels steady, layer the right hand chords on top and focus on keeping a consistent, even rhythm rather than chasing speed. This is the piece that'll train your hands to handle a longer chord cycle without losing your place, which is a skill you'll use in almost every pop and rock song from here on.