As I (C)walked ence, through the (G)door,
I sensed His (G)pres ence,
and and I (Dm)knew this was a (F)place where love a (C)bounds.
(Am)For (Abdim7)this (Gm7)is the tem ple; Je (Bb)ho vah (C13)God a (Fmaj9)bides (F)here,
and we (Bb9)are (C)stand ing in His (F)pres ence, on ho ly (C)ground.
We are (C)stand
(G7)ing
on (F)ho ly (C)ground,
(F)and (G)I (E)know that there are (A)an gels all a (C)round.
Let (G)us (C)praise
(F)Je sus (C)now.
(F)We are (C)stand ing (F)in His (C)pres ence, on (F)ho ly (C)ground.
In His (C)pres ence, there is (G)joy
I be yond (G)meas ure,
and at His (Dm)feet, this peace of (F)mind can still be (C)found.
(Am)If (Abdim7)you (Gm7)have a need, ple; I (Bb)know He (C13)has the (Fmaj9)an (F)swer.
Reach out (Bb9)and (C)claim it; you are (F)stand ing on ho ly (C)ground.
We are (C)stand (G7)ing
on (F)ho ly (C)ground,
(F)and (G)I (E)know that there are (A)an gels
all a (C)round.
Let (G)us (C)praise
(F)Je sus (C)now.
(F)We are (C)stand ing (F)in His (C)pres ence, on (F)ho ly (C)ground.
In His (C)ground.
(Gb)Let us (Db)praise
(Gb)Je sus (Db)now.
(Gb)We are (Db)stand ing (Gb)in His (Db)pres ence, (Ab)we are (F)stand ing in His (Abm)pres ence, (Gbm6)we are (Db)stand ing (Gb)in His (Db)pres ence, on (Gb)ho ly (Db)ground.
This page shows βHoly Groundβ by Geron Davis in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 100 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a beautiful exercise in navigating rich gospel harmony β you're in the key of C, but don't let that fool you into thinking everything stays on white keys. With 33 chords including shapes like Abdim7, Dbmaj9, and Abm6, your left hand will move through chromatic bass lines and colorful passing chords constantly. Start hands-separate at around 70 BPM and focus on memorizing those left-hand shapes first, especially the flat-key clusters (Ab to Abm to G is a common gospel move here). Use the sustain pedal generously but re-engage it with each bass note change to keep things clear, not muddy. The 100 BPM ballad tempo is forgiving, so your real challenge isn't speed β it's smooth chord-to-chord voice leading. Loop any transition that trips you up three times cleanly before moving on. This is the piece that'll make chromatic passing chords feel natural under your fingers.