Hey (F)Jude,
don’t make it (C)bad,
Take a (C11)sad song
and (C7)make it (F)bet ter.
Re (Bb)mem ber to let her in to your (F)heart,
Then you can start
to make it bet (F)ter.
Hey (F)Jude,
don’t be a (C)fraid.
You were (C11)made to
go (C7)out and (F)get her.
The (Bb)min ute you let her un der your (F)skin,
Then you be gin
to make it bet (F)ter.
And an y time you feel the pain Hey Jude
re frain
don’t car ry the world
up on
your shoul ders.
For well you know that it’s a fool Who plays
it cool
By mak ing his world
a lit tle cold er
da da da (F7)da da (C7)da da da da.
Hey (F)Jude,
don’t let me (C)down.
You have (C11)found her
now (C7)go and (F)get her.
Re (Bb)mem ber to let her in to your (F)heart,
Then you can start
to make it bet (F)ter.
So let it out and let it in.
Hey Jude
be gin
you’re wait ing for some
one to
per form with.
And don’t you know that it’s just fool Hey Jude
you’ll do.
The move ment you need
is on your shoul der.
da da da (F7)da da (C7)da da da da.
Hey
Hey
to make it bet ter, bet ter, bet ter, bet ter, bet ter, bet ter, oh.
Da
da da (Eb)da da da da
(Bb)da da da da
Hey (F)Jude.
Da
da da (Eb)da da da da
(Bb)da da da da
Hey (F)Jude.
This page shows “Hey Jude” by The Beatles in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 68 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build your confidence with left-hand pedal bass — your left hand will anchor on repeated low notes while your right hand moves through the chord changes above, so start hands-separate to lock in that steady left-hand pulse before combining. At 68 BPM you have breathing room, but don't let the slow tempo fool you: the transitions from Bb to C7 and especially into Gm7 can catch you off guard if you haven't mapped the finger moves in advance. Drill the verse loop (Bb–F–C7–Bb) until it feels automatic, then tackle the bridge where Eb and F7 add color. Watch your right-hand voicings on Bbmaj7 — keep your wrist relaxed and let that major-seventh note sing without tension. The big singalong coda is repetitive by design, so use it as a stamina check: stay dynamically aware instead of going on autopilot. This is the piece that'll solidify your comfort with dominant-seventh shapes across multiple keys, a skill that pays off in virtually every pop and rock song you'll play next.