🎹 Loading song
Preparing player…
(Eb)Here I am,
we’ve (Bb)this is me.
There’s (Ab)no where else on earth I’d rath (Eb)er be.
Yeah, (Ab)Here I am,
just (Eb)me and you.
To (Db)night we make our dreams come be true.
It’s a (Cm)new (Ab)world, it’s a (Eb)new start.
It’s a (Cm)live with (Ab)the beat ing of young hearts.
It’s a (Cm)new (Ab)day, it’s a (Eb)new plan.
I’ve been (Fm)wait ing for you.
Here I am.
Here I am.
(Eb)Here we are,
we’ve (Bb)just be gun.
And (Ab)af ter all this time our time (Eb)has come.
Yeah, (Ab)here we are,
still (Eb)go ing strong,
right (Db)here in the place where we be long.
It’s a (Cm)new (Ab)world, it’s a (Eb)new start.
It’s a (Cm)live with (Ab)the beat ing of young hearts.
It’s a (Cm)new (Ab)day, it’s a (Eb)new plan.
I’ve been (Fm)wait ing for you.
Here I am.
Here I am.
Here I am.
Yeah, here I (Eb5)am.
Here I am.
Yeah, yeah,
yeah.
(Fm7)Wait ing for you.
(Eb)Here I am,
(Bb)this is me.
There’s (Ab)no where else on earth I’d rath (Eb)er be.
(Ab)Here I am,
just (Eb)me and you.
To (Db)night we’ll make our dreams
come true.
Oh, it’s a
Oh,
here I am.
(Ooh,
(Bb)here I am.
Here I am, Ooh,
(Bb)here I oh, am.
right next to you.
Ooh,
(Bb)here I am.) And (Cm)sud den ly (Ab)the world is (Eb)all brand (Bb)new.
Here I am.
(Oh, oh, oh.
Oh, Here oh, I oh.
am.
Oh, oh, oh.
Oh, I’m oh, gon oh.
na stay.
Oh, oh, oh.
Oh, oh, oh.) Now there’s (Fm)noth ing stand ing in our way.
Oh, here I am.
Here I am.
This is me.
This page shows “Here I Am” by Bryan Adams in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 100 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great workout for your left hand — that oompah bass pattern means you're jumping between a low root note and a mid-range chord on every beat, and at 100 BPM in the key of Ab, accuracy matters more than speed. Start hands-separate and loop the left hand alone until those jumps feel automatic, especially under the Fm–Bb–Eb transitions where the bass note leaps are widest. Your right hand needs to distinguish between closely related shapes like Abmaj7, Abmaj9, and Absus2 — the differences are just one or two notes, so learn exactly which finger moves and which stay planted. Watch the Eb pedal sections: your left hand holds steady while harmony shifts above it, and rushing through those moments kills the peaceful feel. Once both hands are confident individually, combine them at around 70 BPM and build up. This one will genuinely solidify your comfort playing in flat keys with extended chords — skills that transfer everywhere.