I (F)keep (Dm)go ing to the (C)riv er to pray ’cause I (F)need (Dm)some thing that can (C)wash out the pain.
And at (F)most I’m (Dm)sleep ing all these (C)de mons a way.
But your (F)ghost, the (Dm)ghost of you, it (C)keeps me a wake.
My friends had you (Dm)fig ured out.
Yeah, they saw what’s in side of you.
You tried hid in’ an (Bb)oth er you.
But your e vil was (Gm)com ing through.
These eyes sit ting (Dm)on the wall, they watch ev ’ry move I make.
Bright light liv in’ (Bb)in the shade.
Your cold heart makes the (Gm)spi rit shake.
I had to go through hell to prove I’m (Dm)not in sane.
Had to meet the dev il just to know his name.
And that’s when my love was burn ing.
Yeah, it’s still burn ing.
I (F)keep (Dm)go ing to the (C)riv er to pray ’cause I (F)need (Dm)some thing that can (C)wash out the pain.
And at (F)most I’m (Dm)sleep ing all these (C)de mons a way.
But your (F)ghost, the (Dm)ghost of you, it (C)keeps me a wake.
I (F)keep (Dm)go ing to the (C)riv er to pray ’cause I (F)need (Dm)some thing that can (C)wash out the pain.
And at (F)most I’m (Dm)sleep ing all these (C)de mons a way.
But your (F)ghost, the (Dm)ghost of you, it (C)keeps me a wake.
(Dm)ghost of (CN.C.)you, it keeps me a wake.
This page shows “Ghost” by Ella Henderson in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 106 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to get comfortable moving between five closely related chords — Bb, C, Dm, F, and Gm — which all sit naturally under your fingers once you learn the shapes. Your left hand carries a walking bass line, so start hands-separate there: practice stepping smoothly from one bass note to the next at a slow tempo until the motion feels almost automatic, because at 106 BPM you won't have time to think about where your thumb lands. The trickiest transition for most students is moving between Bb and C quickly — they're only a whole step apart, but beginners tend to hesitate on the shift. Loop just that two-chord change until it's effortless. Your right hand stays rhythmically straightforward, so once the left hand is solid, bringing hands together shouldn't feel like a big leap. Use a touch of sustain pedal to connect the walking bass notes without blurring them — lift and re-press on each new chord change. The sad, flowing feel of this piece really comes alive when your bass line walks confidently, so this is the song that'll build your foundation for smooth left-hand movement in any pop ballad you tackle next.