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(F)Show you off,
to night I wan na (Am)show you off.
(Eh, eh, eh.) (F)What you got,
a bil lion could ’ve (Am)nev er bought.
(Eh, eh, eh.) We gon na par ty like it’s (Dm7)thir ty twelve to night.
I wan na show you all the (Gsus4)fin er things in life.
So just for get a bout the (Dm7)world, be young to night.
I’m com in’ for you, I’m (Gsus4)com in’ for you.
’Cause a (F)all
I need
is a beau ty and a beat
who can make my life com plete.
It’s a (F)all
’bout you,
when the mu sic makes you move,
ba by, do it like you do.
(CN.C.)’Cause you…
This page shows “Beauty And A Beat” by Justin Bieber in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 126 BPM, a slightly more challenging arrangement — practice each phrase slowly first.
This arrangement is a great way to build confidence with octave bass patterns in your left hand — you'll bounce between the root note low and high on each chord, which gives the song its driving pop energy at 126 BPM. Your right hand cycles through six chords, and most sit comfortably in C major, but pay close attention to the Gsus4-to-G transition: land your fourth finger on that C first, then release it to B cleanly rather than rushing the switch. The Dm7 shape can also catch beginners off guard, so isolate any bar where it appears and loop it slowly until the fingering feels automatic. I'd suggest learning hands separately at around 90 BPM first, then gradually bring them together — that octave pulse in the left hand needs to feel steady before you layer the right hand on top. Once you're at full tempo, keep your wrist relaxed so the eighth-note rhythm stays light and playful rather than stiff. This is really the song that'll lock in your comfort with sustained left-hand octave patterns, a skill you'll use constantly in pop piano from here on out.