Wind ing your (D)down on Ba ker Street,
light in your (D)and dead on your (D)feet, well an oth er cra zy day, you (G)drink the night a way and for (D)get a bout ev (G)’ry (D)thing.
This ci ty (D)sert makes you (A)feel so cold, it’s got so ma ny peo (D)ple but it’s (A)got no soul and it’s tak en me so long to (G)find out you were wrong when you (D)thought it held ev (G)’ry (D)thing.
You used to think that it was (Am)so ea sy, you used to say that it was (Am)so ea sy but (C)you’re try ing, (G)you’re try ing now,
An oth er year and then you’ll (Am)be hap py, just one more year and then you’ll (Am)be hap py, but (C)you’re cry ing, (G)you’re cry ing now.
Wind ing your (D)down on Ba ker Street,
light in your (D)and dead on your (D)feet, well an oth er cra zy day, you (G)drink the night a way and for (D)get a bout ev (G)’ry (D)thing.
This ci ty (D)sert makes you (A)feel so cold, it’s got so ma ny peo (D)ple but it’s (A)got no soul and it’s tak en me so long to (G)find out you were wrong when you (D)thought it held ev (G)’ry (D)thing.
You used to think that it was (Am)so ea sy, you used to say that it was (Am)so ea sy but (C)you’re try ing, (G)you’re try ing now,
An oth er year and then you’ll (Am)be hap py, just one more year and then you’ll (Am)be hap py, but (C)you’re cry ing, (G)you’re cry ing now.
This page shows “Baker Street” by Gerry Rafferty in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 120 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get comfortable with a pedal bass pattern — your left hand will anchor on repeated low notes while your right hand moves through the chords above, which gives the track its steady, driving feel. You've got twelve chords here, and most sit naturally in C, but watch out for that E♭ — it's a borrowed chord that creates the song's melancholic color, so locate it early and drill the transition in and out of it slowly. The Asus4-to-A resolution is another spot worth isolating; let your finger release cleanly from the sus4 so you hear that satisfying settle. I'd suggest learning the left hand pedal pattern alone first at around 90 BPM, then layering the right hand in. Once both hands sync at full tempo, the groove practically plays itself. This is the piece that'll make chromatic borrowed chords feel like second nature.