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It feels like a per fect night to dress up like hip sters and make fun of our ex es.
Uh, uh, uh, uh.
It feels like a per fect night for break fast at mid night, to fall in love with strang ers.
Uh, uh, uh, uh.
Yeah,
we’re hap py, free, con fused and lone ly at the same time.
It’s mis ’ra ble and mag i cal.
Oh, yeah,
to night’s the night when we for get a bout the dead lines.
It’s time.
Oh, oh.
I don’t know a bout you, but I’m feel in’ twen ty two.
Ev ’ry thing will be al right if you keep me next to you.
You don’t know a bout me, but I’ll bet you want to.
Ev ’ry thing will be al right if we just keep danc in’ like we’re twen ty two.
Twen ty two.
It seems like one of those nights.
This place is too crowd ed.
Too man y cool kids.
Uh, uh, uh, uh.
It seems like one of those nights we ditch the whole scene and end up dream in’ in stead of sleep in’.
Yeah,
we’re hap py, free, con fused and lone ly in the best way.
It’s mis ’ra ble and mag i cal.
Oh, yeah,
to night’s the night when we for get a bout the heart breaks.
It’s time.
Oh, oh.
I don’t know a bout you, but I’m feel in’ twen ty two.
Ev ’ry thing will be al right if you keep me next to you.
You don’t know a bout me, but I’ll bet you want to.
Ev ’ry thing will be al right if we just keep danc in’ like we’re twen ty two.
Twen ty two.
It seems like one of those nights.
This place is too crowd ed.
Too man y cool kids.
Uh, uh, uh, uh.
It seems like one of those nights we ditch the whole scene and end up dream in’ in stead of sleep in’.
Twen ty two.
Twen ty two.
It feels like one of those nights we ditch the whole scene.
It feels like one of those nights we won’t be sleep ing.
It feels like one of those nights.
You look like bad news.
I got ta have you.
I got ta have you.
Oo,
oo,
yeah!
I got ta have you.
This page shows “22” by Taylor Swift in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 160 BPM, a slightly more challenging arrangement — practice each phrase slowly first.