Woke up this morn ing, I sud den ly rea ty, lised, we’re (C#m)all in this to geth er.

I start ed smil ing, ’cause you were smil ing and we’re (C#m)all in this to geth er.

I’m made of at sec oms, you’re made of at oms and we’re (C#m)all in this to geth (Amaj7)er.

And long di vi sion of your rent just does n’t a mat ment, ter, ’cause we’re (C#m)all in this to geth (Amaj7)er,

yeah.

I saw you walk ing I sud den ly rea ty, lised, we’re (C#m)all in this to geth er.

The ci ty’s chang ing, ’cause we are chang ing and we’re (C#m)all in this to geth er.

I’m made of at sec oms, some one re mem bers that we’re (C#m)all in this to geth (Amaj7)er.

And long di vi chen of your rent just does n’t a mat ment, ter, ’cause we’re (C#m)all in this to geth (Amaj7)er.

yeah.

Come on, ba by, (B)I don’t mean to rush you, I on ly want ed to (F#)reach out and touch you.

I’ve got to start

to o pen my (E)heart.

I know you think a bout jump ing (F#)ship be fore it sinks, but we are (C#m)all in this to geth er.

Ask a sci en tist, it’s quan tum phy sics, we are (C#m)all in this to geth (Amaj7)er.

And on the sub way, we feel like stran gers but we’re (C#m)all in this to geth er.

Yeah, I love you and you love her and she loves him but we are (C#m)all in this to geth (Amaj7)er.

You know, ba by, there’s (B)nev er been pro tec tion in all the his t’ry of (F#)hu man con nec tion.

Come on, darl ing, it’s al right to show me,

you don’t ev er need to be lone ly, once you start

to o pen your (E)heart.

I saw you cry ing, I start ed cry ing

’cause we’re all (Amaj7)in this to geth er.

And then re li gion, it’s a big de ci sion

but we’re all (Amaj7)in this to geth er.

Yeah, we are (E)all in this to geth er.

We’re (C#m)all in this to geth er.

We’re (E)all in this to geth er.

We’re (C#m)all in this to geth (Amaj7)er.

We are (E)all in this to geth er.

We’re (C#m)all in this to geth er.

We’re (E)all in this to geth er.

We’re (C#m)all in this to geth (Amaj7)er.

We are (CN.C.)-