Other arrangements of Walk Between Raindrops
Pick a learning view.
A sha (Dm7)dow
crossed the blue Mi (C69)a mi sky
as we hit the cause way by the (Gb7)big ho tels.
We fought,
now I (G7sus4)can’t re mem ber why,
af ter (Gbaug7)all the words were said, and (Am7)tears were gone, we vowed we’d nev er say good (G7sus4)bye.
When we kissed
We could hear the (C69)sound of thun der,
as we watched the re gu lars rush, the (Gb7)big ho tels.
We kissed a (Cmaj9)gain,
as the (Gbaug7)show ers swept the Flor ’da shore,
you o pened your um brel la and we walked be tween the rain drops back to your door.
We walked be tween the rain drops back to your door.
(C)Oh,
Mi a mi!
In my dreams,
I can hear the (C69)sound of thun der,
I can see the cause way by the (Gb7)big ho tels.
That hap py (Cmaj9)day,
we’ll find each oth er on that Flor ’da shore,
you’ll o pen your um brel la, and we’ll walk be tween the rain drops back to your door.
We’ll walk be tween the rain drops,
be tween the rain drops,
(Dm9)walk be tween the rain drops back to your door.
Walk Between Raindrops — Piano Accompaniment Track
Free piano accompaniment for "Walk Between Raindrops" by Donald Fagen. Sing along or play your instrument over the backing piano. Toggle the vocal melody on/off, change key to fit your voice, adjust tempo. Key of C, 144 BPM.
Tip: Press play and sing the melody on top of the piano. If the original key (C) sits too high or low for your voice, use the transpose control to shift the accompaniment into a comfortable range — the backing moves with you. Need a pitch reference? Tap the mic icon to bring the vocal melody in.
Try other practice modes:
About “Walk Between Raindrops”
- How do the bar-notation visuals help sing "Walk Between Raindrops" with this backing?
- Each chord change drops as a colored bar across the staff, scrolling in real time so you can see exactly when the harmony shifts. Helpful for hitting entrances and judging when to breathe — especially on phrases that don't begin on beat 1 of "Walk Between Raindrops".
- What key is the piano accompaniment for "Walk Between Raindrops" by Donald Fagen in?
- The backing track is in C at 144 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.
- Can I sing over "Walk Between Raindrops" with this accompaniment?
- Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.
- Is this a karaoke version of "Walk Between Raindrops"?
- Effectively yes — it's the piano-only backing for "Walk Between Raindrops", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.
- Can I use "Walk Between Raindrops" as a backing track for my instrument?
- Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.
- Can I download the accompaniment for "Walk Between Raindrops"?
- Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.
- Who wrote "Walk Between Raindrops"?
- "Walk Between Raindrops" was originally performed by Donald Fagen. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.
- How do I use "Walk Between Raindrops" as a backing track?
- Just press play — the piano accompaniment runs from start to end, no vocals. Sing, hum, or play your own instrument over it. Use the mic icon to add a vocal melody as a pitch reference, and the speed control if you want a slower practice tempo.
- Can I change the key of "Walk Between Raindrops" to fit my voice?
- Yes — the original is in C, but the player has a live transpose control so you can shift up or down semitones until the melody sits in your vocal range. The piano accompaniment moves with the new key automatically.
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