This arrangement is a great way to build comfort with a wider-than-usual chord palette — nine chords sounds like a lot, but most of them share common tones, so your left hand stays anchored more than you'd expect.

Pay special attention to the F–Fsus2 and Am–Am7 shifts: those are just one finger lifting or dropping, so keep your hand shape steady and let a single finger do the work.

The trickiest transition will likely be moving between G (or Gpow) and Dm — practice that switch slowly, hands separate, until your left hand finds it without looking.

At 100 BPM the rhythm has a gentle forward push, so resist the urge to rush through chord changes; use the sustain pedal briefly on each change to cover any gap while your fingers reposition.

I'd suggest looping the verse progression at about 70 BPM first, then bumping up in small increments.

Once the chorus feels automatic, play the whole piece through and focus on dynamics — this song really comes alive when you lean into the louder sections and pull back on the verses.

By the end, you'll have a much stronger feel for moving between major, minor, and suspended chords in the key of C, which is a skill that transfers to dozens of other pop songs.