What key is the piano accompaniment for "Supercut" by Lorde in?

The backing track is in C at 124 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.

Can I sing over "Supercut" with this accompaniment?

Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.

Is this a karaoke version of "Supercut"?

Effectively yes — it's the piano-only backing for "Supercut", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.

Can I use "Supercut" as a backing track for my instrument?

Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.

Can I download the accompaniment for "Supercut"?

Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.

Who wrote "Supercut"?

"Supercut" was originally performed by Lorde. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.

What other backing tracks by Lorde are available?

Other accompaniments by Lorde: "Royals", "Yellow Flicker Beat". Same toggle-the-melody, change-the-key setup.

Lyrics

(CN.C.)In my (C)head,

I play a su per cut of (Fsus2)us,

all the mag ic we gave (Am)off,

all the love we had and (F)lost.

And in my (C)head,

the vi sions nev er (Fsus2)stop,

these rib bons wrap me (Am)up,

but when I reach for you, there’s just a (F)su per cut.

(Am)In your car, the ra di o up, in your car, the ra di o up, (F)we keep try ing to talk a bout us, I’m some one you may be might love, I’ll (Am)be your qui et af ter noon crush, (C)be your vio lent o ver night rush, (F)make you cra zy o ver my touch, but it’s just a su per cut of (C)us,

a su per cut of us.

(Dm)Oh, it’s just a su per cut of (Am)us,

su per cut of us.

So I (C)fall

in to con ti nents and (F)cars,

all the stag es and the (Am)stars, I turn all of it

to just a (F)su per cut.

’Cause in my (C)head, in my head I do ev ’ry thing right.

When you (F)call, when you call, I’ll for give and not fight, be cause (Am)ours are the mo ments I play in the dark, we were (F)wild and flou re scent, come home to my heart.

(Am)In your car, the ra di o up, in your car, the ra di o up, (F)we keep try ing to talk a bout us, slow mo tion, I’m watch ing our love.

I’ll (Am)be your qui et af ter noon crush, (C)be your vio lent o ver night rush, (F)make you cra zy o ver my touch, but it’s just a su per cut of (C)us,

a su per cut of us.

(Dm)Oh, it’s just a su per cut of (Am)us,

su per cut of us.

So I (C)fall

in to con ti nents and (F)cars,

all the stag es and the (Am)stars, I turn all of it

to just a (F)su per cut.

’Cause in my (C)head, in my head I do ev ’ry thing right.

When you (F)call, when you call, I’ll for give and not fight, be cause (Am)ours are the mo ments I play in the dark, we were (F)wild and flou re scent, come home to my heart.

But it’s just a su per cut of (C)us,

a su per cut of us.

(Dm)oh, it’s just a su per cut of (Am)us,

su per cut of us.

’Cause in my (C)head, in my head I do ev ’ry thing right.

When you call, I for give and not fight.

Are the mo ments I play in the dark, (F)wild and flou re scent, come home to my heart.

(’Cause in (C)Ow!

head.) In my head I do ev ’ry thing right.

When you (F)call, when you call, I’ll for give and not fight, be cause (Am)ours are the mo ments I play in the dark, we were (F)wild and flou re scent, come home to my heart.

’Cause in my (C)head, in my head I do ev ’ry thing right.

When you (F)call, when you call I for give and not fight, be cause… (Am)Are the mo ments in the dark, were (F)wild flou re scent, in my heart, oh.

In my head I do ev ’ry thing right.

Supercut — Piano Accompaniment Track

Free piano accompaniment for "Supercut" by Lorde. Sing along or play your instrument over the backing piano. Toggle the vocal melody on/off, change key to fit your voice, adjust tempo. Key of C, 124 BPM.

Tip: Press play and sing the melody on top of the piano. If the original key (C) sits too high or low for your voice, use the transpose control to shift the accompaniment into a comfortable range — the backing moves with you. Need a pitch reference? Tap the mic icon to bring the vocal melody in.

Try other practice modes:

Fall Down Lead Sheet

About “Supercut”

What key is the piano accompaniment for "Supercut" by Lorde in?: The backing track is in C at 124 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.
Can I sing over "Supercut" with this accompaniment?: Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.
Is this a karaoke version of "Supercut"?: Effectively yes — it's the piano-only backing for "Supercut", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.
Can I use "Supercut" as a backing track for my instrument?: Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.
Can I download the accompaniment for "Supercut"?: Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.
Who wrote "Supercut"?: "Supercut" was originally performed by Lorde. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.
What other backing tracks by Lorde are available?: Other accompaniments by Lorde: "Royals", "Yellow Flicker Beat". Same toggle-the-melody, change-the-key setup.