It’s (E)get ting to the point
where I’m (A)no (E)fun a an y more.
(B)er.
I am (A)sor ry.
Some times it hurts
so bad (A)ly I (E)must cry out loud.
I I am (A)lone ly.
I am yours,
you are mine,
you are what you are.
You make it (E)hard.
Re (E)mem ber what we’ve said
and done (A)and (E)felt a bout each oth
(B)er.
Oh, have (A)mer cy.
Don’t let the past
re mind (A)us of (E)what we not now.
I am not (A)dream ing.
I am yours,
you are mine,
you are what you are.
You make it (E)hard.
Re You make it (E)hard.
Tear ing your self
a way from me now,
you are free
and I am (A)cry ing.
This does not (A)mean I don’t love you, I do,
that’s for ev er,
yes, and for (A)al ways.
I am yours,
you are mine,
you are what you are.
You make it (E)hard.
Some thing in side
is (A)tell ing me that I’ve got your se
cret.
Are you still (A)lis t’ning?
(E)Fear is the lock
and (A)laugh ter the key to your heart,
and I (A)love you.
I am yours,
you are mine,
you are what you are.
You make it (E)hard,
and you make it (E)hard,
and you make it (E)hard,
and you make it (E)hard.
Fri
(F#m)day eve
ning,
Sun
day (F#m)in (E)the af
(E)ter (A)noon.
(A)What have you got to lose?
Tues
(F#m)day morn
ing,
please
be (F#m)gone, (E)I’m tired
(E)of (A)you.
(A)What have you got to lose?
Can I (D)tell it like it is?
But (A)lis ten to me, ba by.
It’s my heart that’s a suf f’rin’.
It’s a (G)dy (A)in’.
And (A7)that’s what I have to (E)lose.
I’ve
got (F#m)an an
swer.
I’m
(F#m)go ing (E)to (F#m)fly (E)a (A)way.
(A)What have I got to lose?
Will
you (F#m)come see
me
Thurs
(F#m)days ing (E)and (F#m)Sat (E)ur (A)days?
(A)What have you got to lose?
(D)Chest nut brown ca nar y,
(A)ru by throat ed spar
(E7)row, (D)sing a song, said don’t be long,
thrill me to the (F#m)mar
(E)row.
(D)Voic es of the an gels,
(A)ring a round the moon
(E7)light, (D)ask ing me, said she so free,
“How can you the (F#m)spar
(E)row?”
(A)Do do do do (Bm)do, do do do do do (E)do, (A)do do do do (Bm)do, do do do (E)do.
(A)Do do do do (Bm)do, do do do do do (E)do, (A)do do do do (Bm)do, do do do (E)do.
do do (E)do.
Que lin
da (E)me la (A)trai ga Cu ba,
la re (A)i
na (E)de la (A)Mar Car i be.
Cie lo (A)sol
no (E)tie ne (A)san gre a ba,
y que (A)tris
te (E)que no (A)Mar Car i be.
Cie lo (A)pue do va ya.
(F#m)Oh (D)va!
(E)Oh va!
(A)Do do do do (Bm)do, do do do do do (E)do, (A)do do do do (Bm)do, do do do (E)do.
(A)Do do do do (Bm)do, do do do do do (E)do, (A)do do do do (Bm)do, do do do (E)do.
do do (E)do.
Suite: Judy Blue Eyes by Crosby, Stills & Nash
1 person has learned this song
Easy piano arrangement in the key of E at 120 BPM. Difficulty: advanced. Color-coded notes — no sheet-reading skill required.
About “Suite: Judy Blue Eyes”
- What key is "Suite: Judy Blue Eyes" in?
- "Suite: Judy Blue Eyes" by Crosby, Stills & Nash is in the key of E with a tempo of 120 BPM. Difficulty: advanced.
- Is "Suite: Judy Blue Eyes" easy to play on piano?
- This arrangement is rated advanced. It requires comfort with chord shapes and basic hand independence. Expect 1-2 weeks of regular practice for a confident performance.
- Can I play "Suite: Judy Blue Eyes" without reading sheet music?
- Yes. Our player offers a falling-notes mode (Synthesia-style) and a beginner mode with color-coded keys — both let you play along without reading traditional notation.
- What chords are used in "Suite: Judy Blue Eyes"?
- This arrangement of "Suite: Judy Blue Eyes" uses 10 chords: A, A7, B, Bm, C#m, D, E, E7, +2 more.
- How long does it take to learn "Suite: Judy Blue Eyes" on piano?
- 2–4 weeks of consistent practice (20–30 min/day) for an intermediate player. Drill the tricky passages in isolation first.
- What other songs by Crosby, Stills & Nash can I play here?
- Try "CHICAGO", "MARRAKESH EXPRESS", "CARRY ON". All are available in our player with color-coded notes; pick the one matching your level.
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