This arrangement is a great way to build confidence with smooth, flowing chord transitions in your left hand — you'll cycle through six chords (C, Dm, Dm7, Em, F, and G7), and the octave bass pattern gives your left hand a steady, rocking motion that really suits the peaceful feel of the piece.

At 140 BPM it moves along briskly, so I'd suggest starting at about half tempo and getting comfortable with the Dm to Dm7 shift first — it's subtle (just one note changes) but easy to fumble if you're not expecting it.

The right-hand melody is vocal and singable, mostly stepwise, so sight-reading it should feel natural.

Your trickiest moment will likely be the jump from G7 back to C, especially at speed — loop that two-bar transition until it's automatic.

Practice hands separately for the first few run-throughs, then combine once your left hand's octave pattern feels like autopilot.

This is the kind of song that really cements your ability to keep a steady bass groove while a melody floats on top, and once that clicks, you'll carry it into everything else you play.