Other arrangements of Paris
Pick a learning view.
We were stay ing in (G)Par is to get a way from your (Bm)par ents.
And I thought, “Wow, if I could (A)take this in a shot right now, I don’t (F#m7)think that we could work this out.” Out on the (G)ter race, I don’t know if it’s (Bm)fair, but I thought, “How could I (A)let you fall by your self while I’m (F#m7)wast ed with some one else?” If (Gsus2)we go down, then (Bm)we go down to geth er.
They’ll (A)say you could do an y thing, they’ll (F#m7)say that I was clev er.
If (Gsus2)we go down, then (Bm)we go down to geth er.
We’ll (A)get a way with ev ’ry thing; let’s (F#m7)show them we are bet ter.
Let’s (Bm)show them we are bet ter.
Let’s (F#m7)show them we are bet ter.
We were stay ing in (G)Par is to get a way from your (Bm)par ents.
And I thought, “Wow, if I could (A)take this in a shot right now, I don’t (F#m7)think that we could work this out.” Out on the (G)ter race, I don’t know if it’s (Bm)fair, but I thought, “How could I (A)let you fall by your self while I’m (F#m7)wast ed with some one else?” If (Gsus2)we go down, then (Bm)we go down to geth er.
They’ll (A)say you could do an y thing, they’ll (F#m7)say that I was clev er.
If (Gsus2)we go down, then (Bm)we go down to geth er.
We’ll (A)get a way with ev ’ry thing; let’s (F#m7)show them we are bet ter.
Let’s (Bm)show them we are bet ter.
Let’s (F#m7)show them we are bet ter.
We were stay ing in (F#m7)show them we are bet ter.
Let’s (G)show them we are, show them (Bm)we are, let’s show them we are, show that we are, let’s (F#m7)show them we are bet ter.
We are stay ing in (Gsus2)Par is.
Let’s (F#m7)show them we are bet ter.
Let’s (G)show them we are, show them (Bm)we are, let’s show them we are, show that we are, let’s (F#m7)show them we are bet ter.
If (F#m7)show them we are bet ter.
If (Gsus2)we go down, let’s (Bm)show them we are bet ter.
If (A)we go down, let’s (F#m7)show them we are bet ter.
Paris — Easy Piano Notes for Beginners
6 people have learned this song
Learn "Paris" on piano with easy notes — perfect for absolute beginners. Large color-coded note names show exactly which keys to press. No music reading required. Key of D, 120 BPM.
Tip: Start at 50% speed to get comfortable with the fingering, then work your way up to full tempo.
Try other practice modes:
About “Paris”
- Can I play "Paris" without reading sheet music?
- Yes — Easy Notes mode prints the letter name (C, D, E…) directly on each note in big color-coded labels, so you can match colors to your keyboard without any traditional notation. The whole arrangement of "Paris" is playable in minutes, even for first-time players.
- What key is "Paris" by The Chainsmokers played in?
- Paris is arranged in the key of D on Super Simple Piano. You can transpose to any other key live in the player.
- What's the tempo (BPM) of "Paris"?
- The arrangement plays at 120 BPM. Use the speed control (10-200%) to practice slower or play faster.
- Is "Paris" easy to play on piano?
- Yes — this is one of our beginner-friendly arrangements with simplified chords and color-coded notes.
- Can I download sheet music for "Paris"?
- Yes — registered users can download PDF sheet music, plus MIDI and MusicXML files for use in other notation software.
- Who composed "Paris"?
- "Paris" was originally performed by The Chainsmokers. The Super Simple Piano arrangement is simplified for beginner-to-intermediate players.
- What other songs by The Chainsmokers can I play here?
- Try "ALL WE KNOW", "PARIS", "Closer". All are in our player with color-coded notes; pick the one matching your level.
- Can a complete beginner play "Paris"?
- Absolutely! The Beginner mode shows large color-coded notes with letter names (C, D, E...). Just match the colors to your keyboard — no music reading needed. "Paris" is perfect for first-time players.
- Do I need to read music to play "Paris"?
- No! Our Beginner mode replaces traditional notation with color-coded letter names. Each note shows exactly which key to press. You can start playing "Paris" in minutes, even if you've never touched a piano before.


