1.
not her fault that she’s (A)so ir re sist i ble.
but all the dam age she’s (A)caused is n’t fix a ble.
Ev ’ry twen ty sec onds you re (G)peat her (Bm)name,
but when it comes to me,
(G)you don’t (F#)care
if I’m a live or dead.
So ob (Bm)jec tion, I (A)don’t wan na (G)be the ex cep tion
to get a bit of your at ten tion.
I (Bm)love you for (A)free and I’m (G)not your moth er,
but you don’t e ven both er.
Ob (Bm)jec tion, I’m (A)tired co of (G)this tri an gle,
got diz zy danc ing tan go.
I’m (Bm)fall ing a (A)part in your (G)hands a gain.
No way, I’ve got to get a way.
2.
to her cheap sil i (A)con I look min i mal.
That’s why in front of your (A)eyes I’m in vis i ble.
But you got ta know lla small things (G)al so (Bm)count.
You bet ter put your feet
(G)on the (F#)ground
and see what it’s a bout.
So ob (Bm)jec tion, I (A)don’t wan na (G)hoy the ex nun cio
a tus a ne of go cios su cios.
Ya (Bm)sa bes que (A)toy de ti (G)va cu na da
a prue ba de pa ta das.
Por (Bm)ti me que (A)dé co mo (G)Mo na Lis a,
sin llan to sin son ri sa.
Que (Bm)cie lo tu (A)ma dre cui (G)den de ti.
Me voy ser á me jor a sí.
got diz zy danc ing tan go.
I’m (Bm)fall ing a (A)part in your (G)hands a gain.
No way, no, no, no, no.
I wish there was e a chance for
you and me.
I wish you could n’t find a
place to be
a (A)way
(G)from
(F#)here.
This is pa thet ic and sar don ic.
It’s sa dis tic and psy chot ic.
Tan go is not for three, was nev er meant to be.
But you can try it, re hearse it, or train like a horse, but don’t you count on me, oh, don’t you count on me, boy.
Ay Ob (Bm)jec tion, I (A)don’t wan na (G)be the ex cep tion
to get a bit of your at ten tion.
I (Bm)love you for (A)free and I’m (G)not your moth er,
but you don’t e ven both er.
Ob (Bm)jec tion, I’m (A)tired de of (G)this tri an gle,
got diz zy danc ing tan go.
I’m (Bm)fall ing a (A)part in your (G)hands a gain.
No way, I’ve got to get a way.
Get a way.
Get a way, hey, hey, hey, get a way.
a sí.
Uh, huh, huh, huh, uh, huh, huh, huh, huh.
Uh, huh, huh, huh, uh, huh, huh, huh, huh.
Uh, huh,
Uh, uh.
Ay I’m que (Bm)fall ing a (A)part in your (G)hands a gain.
Get a way.
Me voy, oh, oh, oh.
Ay, I’m que (Bm)cie lo tu (A)ma dre cui (G)den de ti.
Get way.
Me voy, oh, oh, oh.
Ay, I’m que Me voy ser á me jor Get a way.
Objection by Shakira
4 people have learned this song
Easy piano arrangement in the key of D at 120 BPM. Difficulty: medium. Color-coded notes — no sheet-reading skill required.
About “Objection”
- What key is "Objection" in?
- "Objection" by Shakira is in the key of D with a tempo of 120 BPM. Difficulty: medium.
- Is "Objection" easy to play on piano?
- This arrangement is rated medium. It requires comfort with chord shapes and basic hand independence. Expect 1-2 weeks of regular practice for a confident performance.
- Can I play "Objection" without reading sheet music?
- Yes. Our player offers a falling-notes mode (Synthesia-style) and a beginner mode with color-coded keys — both let you play along without reading traditional notation.
- What chords are used in "Objection"?
- This arrangement of "Objection" uses 11 chords: A, B, Bm, Bpow, C, Em, F#, F#7, +3 more.
- How long does it take to learn "Objection" on piano?
- 2–4 weeks of consistent practice (20–30 min/day) for an intermediate player. Drill the tricky passages in isolation first.
- What other songs by Shakira can I play here?
- Try "UNDERNEATH YOUR CLOTHES", "DARE", "WHENEVER, WHEREVER". All are available in our player with color-coded notes; pick the one matching your level.
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