(CN.C.)Beau ti ful girls all o ver the world
I could be chas in’, but my time would be wast ed.
They got noth in’ on you, ba by,
noth in’ on you, ba by.
They might say, “Hi,” and I might say, “Hey.” But you should n’t wor ry a bout what they say, ’cause they got noth in’ on you, ba by,
noth in’ on you, ba by.
I know (Ebmaj9)down, there will where I’m com in’ oth er one; re gard less of the things in my nev er seen an oth er one.
Most Be cause your (Cm11)real ly was for real ly got the noth in’ on, on a car ou sel, so a round I noth in’ on.
With Ba by, (Dm)you the whole just try’n’ to get plus you pay your try’n’ to chase and you keep it real the while them oth ers stay plas And tic.
I (F)Then, my won der I had ev er Mis ter Fan tas tic.
hon Stop, est ly, I end ed up with now a bout it.
There’s so much (Ebmaj9)non sense, it’s on my con science.
I’m think in’, ba by, I should it out.
And I don’t wan na sound re (Cm11)dun dant, but I was won d’rin’ if there was some thin’ that you wan na know.
But nev er mind (Dm)that.
We should let it go, ’cause we don’t wan na be a T V ep i sode.
And all the bad er (F)thoughts, just let ’em go, go, go, go, go.
Beau ti ful girls all o ver the world
I could be chas in’, but my time would be wast ed.
They got noth in’ on you, ba by,
noth in’ on you, ba by.
They might say, “Hi,” and I might say, “Hey.” But you should n’t wor ry a bout what they say, ’cause they got noth in’ on you, ba by,
noth in’ on you, ba by.
Hands (Ebmaj9)down, there will nev er be an oth er one; re gard I been a round and I nev er seen an oth er one.
Most Be cause your (Cm11)style ly was ain’t real ly got the noth in’ on, on a and you wow when you ain’t got noth in’ on.
With Ba by, (Dm)you the whole just pack to age, plus you pay your tax to es, and you keep it real the while them oth ers stay plas And tic.
I (F)Then, my won der wom an, call me Mis ter Fan tas tic.
hon Stop, est ly, I end ed up with now a bout it.
I been to (Ebmaj9)Lon don, I been to Par is, I’m e ven way out there in ky o, And back don’t home na down in (Cm11)Geor gia but to New Or leans, if but you al thin’ ways you steal the show.
And just er like (Dm)that, girl, you got me fro, ’cause like a Nin na ten a do V Six ty Four.
And all the bad er (F)knew, well, now you know, know, know, know, know.
Beau ti ful girls all o ver the world
I could be chas in’, but my time would be wast ed.
They got noth in’ on you, ba by,
noth in’ on you, ba by.
They might say, “Hi,” and I might say, “Hey.” But you should n’t wor ry a bout what they say, ’cause they got noth in’ on you, ba by,
noth in’ on you, ba by.
Hands Yeah.
Ev ’ry where I go, I’m al ways hear in’ your name.
And no mat ter where I’m at, girl, you make me wan na sing.
Wheth er a bus or a plane, or a car or a train,
no oth er girl’s on my brain, and you the one to Beau ti ful girls Yeah.
Yeah,
yeah, that’s just how we (Cm11)do it.
And I’m gon’ let this ride...
Yeah,
yeah, that’s just how we (Cm11)do it.
And I’m gon’ let this ride...
Nothin' On You by B.o.B. featuring Bruno Mars
15 people have learned this song
Easy piano arrangement in the key of Eb at 107 BPM. Difficulty: medium. Color-coded notes — no sheet-reading skill required.
About “Nothin' On You”
- What key is "Nothin' On You" in?
- "Nothin' On You" by B.o.B. featuring Bruno Mars is in the key of Eb with a tempo of 107 BPM. Difficulty: medium.
- Is "Nothin' On You" easy to play on piano?
- This arrangement is rated medium. It requires comfort with chord shapes and basic hand independence. Expect 1-2 weeks of regular practice for a confident performance.
- Can I play "Nothin' On You" without reading sheet music?
- Yes. Our player offers a falling-notes mode (Synthesia-style) and a beginner mode with color-coded keys — both let you play along without reading traditional notation.
- What chords are used in "Nothin' On You"?
- This arrangement of "Nothin' On You" uses 5 chords: C, Cmin, Dm, Ebmaj9, F.
- How long does it take to learn "Nothin' On You" on piano?
- 2–4 weeks of consistent practice (20–30 min/day) for an intermediate player. Drill the tricky passages in isolation first.
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