Got (Bb6)my (F)dia (F9)monds, got (Bb6)my (F9)yacht,
got (Bb6)a (F)guy (F7)I a (Bb)dore.
I’m so (Ebm7)hap py with what I (Dbdim7)got, as I want (F7#5)more!
Count (Bb6)your (F)bless (F9)ings: One, (Bb6)two, (F9)three.
I (Bb6)just (F)hate (F7)keep ing (Bb)score.
An y (Ebm7)num ber is fine with (Dbdim7)me, as I want (F7#5)more!
(Cm7)long as it’s (F13)more,
as long as it’s (Bb13)more!
(CN.C.)I’m no math e ma (Ebm)ti (Eb6)cian.
(CN.C.)All I know is ad (G9)di (G7sus)tion.
I find count ing a (C6)bore.
(F13)Keep the (CN.C.)num ber mount ing, your ac count ant does the count ing.
More!
(Bb)More!
I (Bb6)got (F)rhy (F9)thm, mu (Bb6)sic (F9)too,
just (Bb6)as (F)much (F9)as be (Bb)fore.
Got my (Ebm7)guy and my sky of (Dbdim7)blue.
Now, how (Ebm7)ev er, I own the (Dbdim7)view.
More is (Gb)bet ter than noth ing, (G13)true, but (C9)noth (CN.C.)ing’s bet ter than (Bbmaj7)more, (D)more, (G)more.
(Bb)Noth (CN.C.)ing’s bet (Gb7)ter (F9)than (Bb)more.
(Bb6)One is fun, (Bb6)why not (F7b5)two?
And (Bb6)if you like (F)two, (Bbm6)might as well have (Db)four.
And (Eb9)if you like four, (Gb7)why not a few, (F)why not a slew (Bb6)more?
(Bb6)More!
(Cm6)If you’ve got a (G)lit tle, (Cm6)why not a (Db13)lot?
(Cm6)Add a bit and (G9)it ’ll get to be an (Db9)oo dle.
(Ab9)Ev ’ry jot and tit tle adds to the pot.
(G7sus)Soon, you’ve (CN.C.)got the kit as well as the ca boo dle.
(C6)More!
(C6)More!
(Dm6)Nev er say when, (Bb9)nev er stop at plen ty.
(Dm6)If it’s gon na rain, let (D)it pour.
(Em6)Hap py with ten, (A9)hap pi er with twen ty.
(C)If you like a pen ny, (C7)would n’t you like (C13)man y much (Bb13)more?
(CN.C.)Or does that sound too More!
More!
Each (B6)pos (F#)ses (F#9)sion you (B6)pos (F#)sess
helps (B6)your (F#)spir (F#m7)its (F#9)to (B)soar.
That’s what’s (Em7)sooth ing a (B)bout ex cess.
Nev er (Em7)set tle for some thing (Ddim7)less.
Some thing’s (Fdim7)bet ter than noth ing, (G#6)yes, (G#7)but (C#m7)noth (CN.C.)ing’s bet ter (C#)than (B)more, (A)more, (G#)more, ex cept (G#m7)all, (A)all, (G#)all.
Ex cept (D#)all, all, (G#)all.
Ex cept (C#m9)once you have it all, have it all, you may (F#6)find all else a bove, (G#7sus)else a (G#7)bove.
(CN.C.)That though “things” are bliss, there’s (D#m7)one (Dm11)thing (C#m7)you (Em)miss, (E)and (F#7)that’s more!
(B)More!
(B)More!
More!
(F#)More!
(F#7)More!
(C#m7)More!
(E)More!
(B)More!
More by Madonna
Easy piano arrangement in the key of Eb at 200 BPM. Difficulty: medium. Color-coded notes — no sheet-reading skill required.
About “More”
- What key is "More" in?
- "More" by Madonna is in the key of Eb with a tempo of 200 BPM. Difficulty: medium.
- Is "More" easy to play on piano?
- This arrangement is rated medium. It requires comfort with chord shapes and basic hand independence. Expect 1-2 weeks of regular practice for a confident performance.
- Can I play "More" without reading sheet music?
- Yes. Our player offers a falling-notes mode (Synthesia-style) and a beginner mode with color-coded keys — both let you play along without reading traditional notation.
- What chords are used in "More"?
- This arrangement of "More" uses 71 chords: A, A7, A9, Ab, Ab9, B, B6, B9, +63 more.
- How long does it take to learn "More" on piano?
- 2–4 weeks of consistent practice (20–30 min/day) for an intermediate player. Drill the tricky passages in isolation first.
- What other songs by Madonna can I play here?
- Try "CHERISH", "CRAZY FOR YOU", "VOGUE". All are available in our player with color-coded notes; pick the one matching your level.
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