This arrangement is a great way to build left-hand independence thanks to that steady oompah bass pattern — your left hand will alternate between a low root note and a higher chord chunk on each beat, almost like a heartbeat underneath the melody.

At 69 BPM you have plenty of time, but that slow tempo actually makes it harder to stay even, so resist the urge to rush through the gaps.

Start hands-separate: get your left hand's bass-chord rocking motion smooth and automatic before adding the right-hand melody on top.

Watch your F-sharps and C-sharps — the key of D catches beginners off guard, especially on the C-sharp when your right hand moves into the lower part of the melody.

The trickiest moment is usually the transition from the A chord back up to D at the top of each cycle; loop just that two-chord shift until it feels effortless.

Once both hands lock in together, the piece almost plays itself and sounds gorgeous.

This is the song that will teach your hands to operate as two independent voices — a skill you'll use in everything you play from here on out.