This arrangement gives your left hand a real workout with that walking bass line — keep it smooth and even at 100 BPM, almost like a gentle stroll, since rushing the bass will undercut the peaceful feel instantly.

Your right hand needs to get comfortable shifting between some close chord shapes: Bm to Bm7 is just one finger lifting, but moving from D6 into A7 or jumping to that B major chord demands quick, confident repositioning, so isolate those transitions slowly before you string whole sections together.

I'd suggest learning hands separately first, locking in the walking bass until it feels automatic, then layering the chords on top at around 70 BPM.

The trickiest stumbling point is usually where the harmony shifts between Bm7 and Em7 while the bass keeps walking — loop that two-bar passage until your hands stop competing with each other.

Pedal lightly here; too much sustain will blur the bass movement.

This is a fantastic song for building independence between hands, and once that walking bass clicks, you'll carry that skill into everything you play next.