Yeah!

(Yeah!)

OK!

(OK!)

Ush er.

(Ush er.) Yeah yeah yeah yeah yeah.

(Yeah.) Yeah yeah yeah yeah yeah.

Up in the club up with my ho mies tryin’ to get a lit tle V.

I.

a good idea but down on a low key, ’cos you know how I feel.

I saw the shor ty she was check in’ up on me, from the game she was spit tin’ in my ear, you would cer think ti that fied she knew me, knew me, de ci ded to chill.

Con ver sa tion got hea vy, know if I take she had me feel in’ like she’s rea dy to blow.

do know is the way she dance Oh.

makes shorty alright with me.

She’s say ing, “Come get me,” low!) I’m so I got up and fol lowed her to the floor.

one more She said, I’m “Ba by, let’s go.” hell am When I told to leave?

her I said, Yeah, yeah, shor ty got down, she said, “Come and get me.” Yeah, yeah, I got so caught up I for got she told me.

Yeah, yeah, her and my girl could be the best of ho mies.

Yeah, yeah, next thing I knew she was all up on me scream ing.

Yeah yeah yeah yeah yeah.

(Yeah.) Yeah yeah yeah yeah yeah.

2.

So she’s all up in my head now, got me think in’ that it might be a good idea to take her a with me, ’cos she’s rea dy to leave.

I saw the shor ty Then I got ta keep real now, from the ’cos on a one tin’ to ten ear, she’s a cer think ti that fied she twen ty, knew me, but that just ain’t me.

Con ver sa ’Cos I don’t vy, know if I take that chance just where’s it gon na lead, but what I do know is the way she dance Oh.

makes shorty alright with me.

The way she’s...

“Come (Get me,” low!) I’m like, yeah just work that out for me.

She asked for one more dance and I’m “Ba like, yeah, how hell am I sup posed to leave?

And I said, Yeah, yeah, shor ty got down, she said, “Come and get me.” Yeah, yeah, I got so caught up I for got she told me.

Yeah, yeah, her and my girl could be the best of ho mies.

Yeah, yeah, next thing I knew she was all up on me scream ing.

Yeah yeah yeah yeah yeah.

(Yeah.) Yeah yeah yeah yeah yeah.

2.

So she’s — yeah.

Watch out!

My out fit’s game, so I’m rid i Rolls, cu if lous, truth in I the club un look I in’ so con they’re spi birth cu ous.

And Row!

give me These women and it’ll all on the their prowl, if you hold to the head steady touch I’m their a milk the cow.

all up in my head now, got me think in’ that it might be a good idea to take her a with me, ’cos she’s rea dy to leave.

I saw the shor ty Then I got ta keep real now, from the ’cos on a one tin’ to ten ear, she’s a cer think ti that fied she twen ty, knew me, but that just ain’t me.

Con ver sa ’Cos I don’t vy, know if I take that chance just where’s it gon na lead, but what I do know is the way she dance Oh.

makes shorty alright with me.

The way she’s...

“Come (Get me,” low!) I’m like, yeah just work that out for me.

She asked for one more dance and I’m “Ba like, yeah, how hell am I sup posed to leave?

And I said, Yeah, yeah, shor ty got down, she said, “Come and get me.” Yeah, yeah, I got so caught up I for got she told me.

Yeah, yeah, her and my girl could be the best of ho mies.

Yeah, yeah, next thing I knew she was all up on me scream ing.

Yeah yeah yeah yeah yeah.

(Yeah.) Yeah yeah yeah yeah yeah.

2.

So she’s — yeah.

Watch out!

For get about jag and took a spit to the please, Lu they in ain’t won’t stop tin’ til then get ’em in on ble foot pa day suit.

So give once the rhythm and like be off with dead, clothes, then bend over to the front and three I’m hundred a toes.

I cow.

la dy in the street but a freak in bed.

— yeah.

(Yeah.) 2.

Take that and re wind it back, L’il Jon got the beat to make ya boo ty go.

1.

Take the and re wind it back, Ush er got the voice to make ya boo ty go.