Other arrangements of The Dark End Of The Street
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At the dark end
of the (Em)street,
that’s (G)where we (F#m)al ways (Em)meet.
Hid ing in (G)sha dows where we (C)don’t be long.
Liv ing in (C)dark ness to (D)hide our (G)wrong.
You and (G)me,
at the (C)dark end of the (G)street,
(C)you and (G)me.
I know time is gon na take it’s toll.
We have to pay for the love we stole.
It’s a (G)sin and (C)know it’s wrong,
oh,
but our love keeps com ing on strong.
Steal a (G)way
to
(G)street,
(C)you and (G)me.
I know (G)street.
They gon na (G)find us,
they gon na (F#m)find us,
they gon na (Em)find us oh
some (G)day,
you and (G)me,
at the (C)dark end of the (G)street,
you and me.
And when the (Ab)day light’s (Gm)hour
rolls a (Fm)round.
And by chance we’re both down (Fm)town.
If we should (Ab)meet let’s (Db)walk on by.
Oh,
dar ling please don’t cry.
To night we’ll (Ab)meet
at the dark end
of the street,
mm.
The Dark End Of The Street — Piano Accompaniment Track
1 person has learned this song
Free piano accompaniment for "The Dark End Of The Street" by Percy Sledge. Sing along or play your instrument over the backing piano. Toggle the vocal melody on/off, change key to fit your voice, adjust tempo. Key of G, 76 BPM.
Tip: Press play and sing the melody on top of the piano. If the original key (G) sits too high or low for your voice, use the transpose control to shift the accompaniment into a comfortable range — the backing moves with you. Need a pitch reference? Tap the mic icon to bring the vocal melody in.
Try other practice modes:
About “The Dark End Of The Street”
- How do the bar-notation visuals help sing "The Dark End Of The Street" with this backing?
- Each chord change drops as a colored bar across the staff, scrolling in real time so you can see exactly when the harmony shifts. Helpful for hitting entrances and judging when to breathe — especially on phrases that don't begin on beat 1 of "The Dark End Of The Street".
- What key is the piano accompaniment for "The Dark End Of The Street" by Percy Sledge in?
- The backing track is in G at 76 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.
- Can I sing over "The Dark End Of The Street" with this accompaniment?
- Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.
- Is this a karaoke version of "The Dark End Of The Street"?
- Effectively yes — it's the piano-only backing for "The Dark End Of The Street", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.
- Can I use "The Dark End Of The Street" as a backing track for my instrument?
- Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.
- Can I download the accompaniment for "The Dark End Of The Street"?
- Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.
- Who wrote "The Dark End Of The Street"?
- "The Dark End Of The Street" was originally performed by Percy Sledge. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.
- What other backing tracks by Percy Sledge are available?
- Other accompaniments by Percy Sledge: "When A Man Loves A Woman". Same toggle-the-melody, change-the-key setup.
- How do I use "The Dark End Of The Street" as a backing track?
- Just press play — the piano accompaniment runs from start to end, no vocals. Sing, hum, or play your own instrument over it. Use the mic icon to add a vocal melody as a pitch reference, and the speed control if you want a slower practice tempo.
- Can I change the key of "The Dark End Of The Street" to fit my voice?
- Yes — the original is in G, but the player has a live transpose control so you can shift up or down semitones until the melody sits in your vocal range. The piano accompaniment moves with the new key automatically.
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