I said I’m ’bout five min utes a way, one more stop and I’ll be off this train.
I’m free a ny day of the week, al ways (Bbm)los ing some sleep.
(Yeah, yeah, yeah.)
I told my self I’ll be back by ten, try na save my self for the week end,
but I know me, I hate to (Bbm)miss a par ty.
(Yeah, yeah, yeah.) Don’t say, don’t say I did n’t warn you,
don’t say I did n’t warn you.
Uh huh.
I (Bbm7)live for the mo ment.
(CN.C.)I was n’t sup posed to go (Fm)out to night.
I should be at home, I got (Fm)work at nine.
Should n’t be out here do ing (Bb9)what I like,
but it feels so (Bbm7)good,
so (Eb)good.
I was on ly gon na be an (Fm)hour or two.
I guess that now I’m here I’m go ing (Bb9)down with you,
but it feels so (Bbm7)good,
so (Cm7)good.
An gel on my shoul der’s giv ing up on me, no list en ing to him and I can hard ly speak.
The mu sic they play, (Bbm)makes me this way.
Oh, yeah.
It was on ly ten, how did it get to three?
It’s like I’m in my own time ma chine,
but you know me, (Bbm)I nev er leave.
Don’t say, don’t say I did n’t warn you,
don’t say I did n’t warn you.
Just (Bbm)live for the mo ment.
(CN.C.)I was n’t sup posed to go (Fm)out to night.
I should be at home, I got (Fm)work at nine.
Should n’t be out here do ing (Bb9)what I like,
but it feels so (Bbm7)good,
so (Eb)good.
I was on ly gon na be an (Fm)hour or two.
I guess that now I’m here I’m go ing (Bb9)down with you,
but it feels so (Bbm7)good,
so (Cm7)good.
’Cause (Bbm7)ev ’ry one I know is here, drink ing sours, cry ing tears, (Fm)liv ing out the best years.
(Woah)
So (Fm7)keep on toast ing shots.
‘Cheers.’ Peo ple know it feels
so
good.
(CN.C.)I was n’t sup posed to go (Fm)out to night, I should be at home, I got (Fm)work at nine.
Should n’t be out here do ing (Bb9)what I like,
but it feels so (Bbm7)good,
so (Eb)good.
I was on ly gon na be an (Fm)hour or two.
I guess that now I’m here I’m go ing (Bb9)down with you,
but it feels so (Bbm7)good,
so (Cm7)good, so
good.
So Good — Piano Accompaniment Lead Sheet
Lead sheet view of the piano accompaniment for "So Good" by Louisa Johnson: melody on the staff, chord symbols above, lyrics below. Ideal for singers, choirs, and band rehearsals. Original key Bb, 72 BPM.
Tip: Press play and sing the melody on top of the piano. If the original key (Bb) sits too high or low for your voice, use the transpose control to shift the accompaniment into a comfortable range — the backing moves with you. Need a pitch reference? Tap the mic icon to bring the vocal melody in.
Try other practice modes:
About “So Good”
- What key is the piano accompaniment for "So Good" by Louisa Johnson in?
- The backing track is in Bb at 72 BPM. If that doesn't sit in your vocal range, use the live transpose control to shift up or down semitones — the accompaniment moves with the new key automatically.
- Can I sing over "So Good" with this accompaniment?
- Yes — that's exactly what it's built for. The vocal melody is muted by default so you can sing freely. Need a pitch reference? Tap the mic icon to bring the melody back in at a lower volume.
- Is this a karaoke version of "So Good"?
- Effectively yes — it's the piano-only backing for "So Good", with no vocals. You can also slow it down to practice tricky verses, then bring it back to full tempo.
- Can I use "So Good" as a backing track for my instrument?
- Absolutely. Singers, guitarists, violinists, wind players, and instrumental practice in general all work — the piano holds the harmony so you can carry the melody on whatever instrument you play.
- Can I download the accompaniment for "So Good"?
- Yes — registered users can download MIDI + MusicXML (open in any notation software). PDF sheet music is also available for the full arrangement.
- Who wrote "So Good"?
- "So Good" was originally performed by Louisa Johnson. This piano accompaniment is an arrangement of that song, designed for sing-along and play-along use.
- What other backing tracks by Louisa Johnson are available?
- Other accompaniments by Louisa Johnson: "Forever Young". Same toggle-the-melody, change-the-key setup.
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