Come stop your cry ing, it will be al right.
Just take my hand,
hold it tight.
I will pro tect you from all a round you.
I will be here, don’t you cry
For one so small, you (F#)seem so (B)strong.
My arms will hold you, keep you (F#)safe and (B)warm.
This bond be tween us can’t be bro ken.
I will be here, don’t you cry.
’Cause (Ab)you’ll be in my (Db)heart.
Yes, (Eb)you’ll be (Eb)in my (Cm7)heart
from (Fm7)this day on,
now and for ev er (Gb)more.
(Ab)You’ll be in my heart
no (Eb)mat ter what they (Cm7)say.
You’ll (Fm7)be here in my (Db)heart
al (Gb)ways.
Don’t (Db)lis ten to him, you, ’cause (Dbsus2)what does he (Db)know?
We (Db)need each be oth er to you’ve (Db)have, to to hold.
He’ll (Fm)see in time,
I know.
When (Db)des ti ny calls you, you (Dbsus2)must does be (Db)strong.
I (Db)may not be with you, but you’ve (Db)got to hold on.
They’ll (Fm)see in time,
I know.
When know.
We’ll (Ab)show them to (Eb)geth er ’cause you’ll be in my (Eb)heart.
Yes, (F)you’ll be in my (Dm)heart
from (Gm7)this day on,
now and for ev er (Ab)more.
Oh, (Bb)you’ll be in my (Eb)heart
no (F)mat ter what they (Dm)say.
You’ll (Gm7)be here in my (Eb)heart
al ways.
Al (Bb)ways.
Al ways.
This page shows “You'll Be In My Heart” by Phil Collins in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Gb at 88 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement sits in Gb major, so your hands will live mostly on black keys — let that feel natural rather than awkward, because the black-key clusters actually give your fingers helpful landmarks. At 88 BPM the tempo is gentle, but the real challenge is the sheer variety of chord shapes: you're moving through 22 different chords including sus voicings like Dbsus2 and Dbsus4, plus minor sevenths like C#m7 and Fm7. Practice your left-hand chord transitions hands-separate first, especially where you jump between distant roots like B to Eb — map those leaps slowly until the distances feel memorized in your arm, not just your eyes. Watch the sustained phrases in your right hand; use the sustain pedal to connect melodic notes but lift cleanly on each chord change to avoid mud. Loop any section where a sus chord resolves, because nailing that timing is what makes the ballad breathe. This is the piece that'll make stretched minor-seventh shapes feel like home under your fingers.