You (B)are (A7)my (Dm)des tin y,
you are what you (Gm)are to me.
You are my hap pi ness,
that’s what you (Dm)are.
(A7)You (B)have (A7)my (Dm)sweet ca ress,
you share my (Gm)lone li ness.
You are my dream come true,
that’s what you (Dm)are.
(A7)Heav en and (Dm)heav en a lone can (A7)take your love from (Dm)me.
’Cause (Gm)I’d be a fool to ev er (Dm)leave you, dear, and a (E7)fool I’d nev er (A7)be.
You (B)are (A7)my (Dm)des tin y,
you share my (Gm)rev er ie.
You’re more than life to me,
that’s what you (Dm)are.
(A7)You (B)are (A7)my (Dm)des tin y,
you are what you (Gm)are to me.
You are my hap pi ness,
that’s what you (Dm)are.
(A7)You (B)have (A7)my (Dm)sweet ca ress,
you share my (Gm)lone li ness.
You are my dream come true,
that’s what you (Dm)are.
(A7)Heav en and (Dm)heav en a lone can (A7)take your love from (Dm)me.
’Cause (Gm)I’d be a fool to ev er (Dm)leave you, dear, and a (E7)fool I’d nev er (A7)be.
You (B)are (A7)my (Dm)des tin y,
you share my (Gm)rev er ie.
You’re more than life to me,
that’s what you (Dm)are.
(A7)You (B)are (A7)my (Dm)are.
This page shows “You Are My Destiny” by Paul Anka in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 144 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build confidence with an oompah bass pattern in your left hand — you'll alternate between a low root note and a higher chord chunk in a steady boom-chap rhythm that gives the song its warm, swaying feel. At 144 BPM it moves along briskly, so start at half speed and lock in that left-hand pattern until it feels automatic before adding the melody. Your five chords include a couple of seventh shapes — A7 and E7 — that add a lovely romantic pull, but watch the transition from Gm to A7 especially; the jump can catch you off guard if you haven't mapped the fingering in advance. Practice that two-bar shift in a slow loop until your hand finds it by feel. The right-hand melody is vocal and singable, so aim for smooth, connected lines rather than punchy attacks. Keep your pedal changes crisp on each chord switch to avoid muddiness in the key of B♭. This is the piece that'll make oompah bass feel like second nature — once you own this pattern, dozens of classic pop songs will open right up for you.