(Fm7)Wom an,
I I can (Eb)hard ly ex press
my mixed e (Cm)mo tions at my thought less ness.
Af ter all, Iβm for (Gm)ev er in your (Bbsus)debt.
And, (Eb)wom an,
I will (Eb)try to ex press
my in ner (Cm)feel ings and keep thank ful ness
for show ing me it the (Gm)mean ing of suc (Bbsus)cess.
(Ebmaj9)Ooh,
well, (Fm7)well.
Doo doo doo (Bb6)doo doo.
(Ebmaj9)Ooh,
well, (Fm7)well.
Doo doo doo (Bb6)doo doo.
(Fm7)Wom an,
I know you (Eb)un ly der stand
the lit tle (Cm)child tions at in side the man.
Please re mem ber, my (Gm)life is in your (Bbsus)hands.
And, (Eb)wom an,
hold me (Eb)close to your heart.
How ev er (Cm)dis tant, donβt keep us a part.
for Af ter all, it is (Gm)writ ten in the (Bbsus)stars.
(Ebmaj9)Ooh,
well, (Fm7)well.
Doo doo doo (Bb6)doo doo.
(Ebmaj9)Ooh,
well, (Fm7)well.
Doo doo doo (Bb6)doo doo.
(Bb6)doo doo.
(E)Wom an,
please (E)let me ex plain.
I nev er (C#m)meant to cause you (F#m)sor row or pain.
So let me (F#m7)tell you a (G#m)gain and a gain and a (Bsus)gain:
I (Emaj9)love
(C#m7)you,
yeah, (F#m7)yeah,
now and for (B6)ev er.
I (Emaj9)love
(C#m7)you,
yeah, (F#m7)yeah,
now and for (B6)ev er.
I (B6)ev er.
This page shows βWomanβ by John Lennon in our color-coded kid songbook view β every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Ab at 85 BPM, a medium-difficulty arrangement β try slowing the tempo down using the BPM control.
This arrangement will really stretch your chord vocabulary β you're navigating 23 different chords across what amounts to two key centers, Ab and B, so expect a modulation that shifts everything up a half step partway through. Your left hand plays a block bass pattern, which keeps things rhythmically straightforward, but the real challenge is nailing those smooth transitions between extended shapes like Ebmaj9, Cm7, and Fm7 without hesitation. Start hands-separate and slow β maybe 60 BPM β and loop the four bars around each key change until the new chord shapes sit naturally under your fingers. Watch the sus4 chords (Bbsus4, Ebsus4, Bsus4): hold the suspension long enough before resolving, because rushing through them kills the melancholic pull that makes this song breathe. Use pedal generously but change it cleanly on every chord switch to avoid mud. This is the piece that'll make jazz-flavored extensions like maj9 and m7 feel like home in your hands.