(C)With these hands
I will (Dm9)cling to (G7)you,
I’m yours for (C#dim)ev er and a (Dm)day.
(C)With these hands,
(C6)I will (F)bring to you,
a ten der love as (D)warm as (G7sus)May.
(C)With this heart
I will (Dm9)sing to (G7)you,
long af ter (C7)stars have lost their (F)glow,
(E7)and
(Am)with these hands
I’ll pro (C)vide for you,
should there (D7)be a storm y (Fm7)sea, I’ll turn the (C)tide for (Am7)you,
(D#dim)and I’ll (C)nev
er,
no, I’ll (C)nev
(Am)er
let
(G7)you go.
(C)With these hands
I will (Dm9)cling to (G7)you,
I’m yours for (C#dim)ev er and a (Dm)day.
(C)With these hands,
(C6)I will (F)bring to you,
a ten der love as (D)warm as (G7sus)May.
(C)With this heart
I will (Dm9)sing to (G7)you,
long af ter (C7)stars have lost their (F)glow,
(E7)and
(Am)with these hands
I’ll pro (C)vide for you,
should there (D7)be a storm y (Fm7)sea, I’ll turn the (C)tide for (Am7)you,
(D#dim)and I’ll (C)nev
er,
no, I’ll (C)nev
(Am)er
let
(G7)you go.
go.
This page shows “With These Hands” by Tom Jones in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 80 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a wonderful workout for chromatic chord movement — you'll navigate through passing diminished chords like C#dim, D#dim, and F#dim that connect your major and minor shapes by half-step, so pay close attention to those moments where your right hand only needs to shift one or two fingers to land the next voicing. Your left hand keeps an octave bass pattern at a relaxed 80 BPM, which gives you breathing room, but don't rush those octave jumps — lock them in hands-separate first until they feel automatic. The trickiest spots will be transitions into Dm9 and G9, where you're stretching beyond basic triads; isolate those two-chord pairs and loop them slowly until the shape sits in your hand. Use a little sustain pedal to smooth the romantic legato feel, lifting cleanly on each chord change so the diminished passing tones don't blur together. This is the piece that'll make jazz-style voice leading feel natural under your fingers — once these chromatic walks click, you'll carry that skill into everything you play next.