(F)You (Gm7)don’t (F)love me (Gm7)an (F)y more;
(Bb)let’s see how you like (Bb)this song.
(F)See (Gm7)you (F)walk ing (Gm7)out (F)that door;
(Bb)won der why it took you (Bb)so long.
(Bbmaj7)Ev er since the day that I met (Am7)you,
I (Gm7)knew you were the girl (F)of (Bb)my dreams, but we could nev er (CN.C.)be.
(Bb)You don’t (F)love me (Gm7)an (F)y more;
(Bb)let’s see how you like (Bb)this song.
(F)We find love,
we get (Bb)up, (Gm7)and (F)we fall down,
we give (Gm7)up.
(F)We find love,
we get (Bb)up, (Gm7)and (F)we fall down,
we give (Gm7)up.
You don’t I just need you to (CN.C.)hold.
We (Gm7)knew (F)we’d come a round; this (Bb)thing called love comes crash ing (Bb)down in piec (Gm7)es (F)all on the ground.
What (Bb)once was lost can not be found.
And we knew we’d come a round; this (Bb)thing called love comes crash ing down in piec es all on the ground.
What (Gm7)once was lost can not be found.
And we knew we’d come a round; this (Bb)thing called love comes crash ing down in piec es all on the ground.
What (Gm7)once was lost can not be found.
And...
Heav en (Bbmaj7)help us, heav en help us;
we’re on our (Bbmaj7)own.
(F)We find love,
we get (Bb)up, (Gm7)and (F)we fall down,
we give (Gm7)up.
(F)We find love,
we get (Bb)up, (Gm7)and (F)we fall down,
we give (Gm7)up.
(F)We find love,
we get (Bb)up, (Gm7)and (F)we fall down,
we give (Gm7)up.
(F)We find love, yeah, we get up,
(F)we fall down,
we give (Bb)up.
This page shows “We Find Love” by Daniel Caesar in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 78 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a beautiful workout for your jazz-influenced chord vocabulary — with fourteen chords including Abmaj9, Abdim7, and several major and minor sevenths, your right hand needs to find those extended shapes cleanly before you add tempo. Start hands-separate: get your left hand comfortable with the oompah bass pattern first, because at 78 BPM it should feel relaxed and steady, not rushed. The trickiest transitions will be moving into and out of that Abdim7 — isolate the two bars around it and loop them slowly until the fingering feels automatic. When you combine hands, use the sustain pedal generously but change it with each new chord to avoid muddiness, especially through the Cm7-to-Dm7-to-Ebmaj7 stretches. If something feels stiff, drop the tempo to 60 and build back up. This is the song that'll make seventh chords feel like home under your fingers.