I am un writ ten, can’t read my mind.
are I’m un de fined.
I’m just be gin ning, the pen’s in my hand,
end ing un planned.
Star ing at the blank page be (Eb)fore you, o pen up the dirt y (Dm7)win dow.
Let the sun il lu mi (Bbm6)nate the words that you could not find.
(F)Reach ing for some thing in the (Eb)dis tance, so close you can al most (Bb)taste it.
Re lease your in hi bi tions.
Feel the rain on your (Dm)skin.
No one (Gm)else can feel it for you.
On ly (F)you can let it in.
No one (Gm)else, no one else can speak (F)the words on your (Dm)lips.
Drench your (Gm)self in words un spo ken.
Live your (F)life with arms wide o pen.
To day (Gm)is where your book be gins, the rest is still un (F)writ ten.
I break tra di tion.
Some times my tries
are out side the lines.
We’ve been con di tioned to not make mis takes,
but I can’t that
Star ing at the blank page be (Eb)fore you, o pen up the dirt y (Dm7)win dow.
Let the sun il lu mi (Bbm6)nate the words that you could not find.
(F)Reach ing for some thing in the (Eb)dis tance, so close you can al most (Bb)taste it.
Re lease your in hi bi tions.
Feel the rain on your (Dm)skin.
No one (Gm)else can feel it for you.
On ly (F)you can let it in.
No one (Gm)else, no one else can speak (F)the words on your (Dm)lips.
Drench your (Gm)self in words un spo ken.
Live your (F)life with arms wide o pen.
To day (Gm)is where your book be gins, the rest is still un (F)writ ten.
be gins, feel the rain on your (Dm)skin.
No one (Gm)else can feel it for you.
On ly (F)you can let it in.
No one (Gm)else, no one else can speak (F)the words on your (Dm)lips.
Drench your (Gm)self in words un spo ken.
Live your (F)life with arms wide o pen.
To day (Gm)is where your book be gins, the rest is still un (F)writ ten.
(F)Star ing at the blank page be (Bb)fore you, o pen up the dirt y (F)win dow.
Let the sun il lu mi (Bb)nate the words that you could not find.
(F)Reach ing for some thing in the (Bb)dis tance, so close you can al most (F)taste it.
Re lease your in hi bi tions.
Feel the rain on your (Dm)writ ten.
(F)The rest is still un writ ten.
This page shows “Unwritten” by Natasha Bedingfield in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of Bb at 105 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence playing in B♭ major, where your hands need to stay comfortable on those two flats. Your left hand holds a pedal bass pattern, so keep it steady and anchored — it's the engine driving that upbeat energy at 105 BPM. Your right hand will cycle through nine chords, and most transitions are smooth, but watch the move into Bbm6: that borrowed chord sneaks in a G♭ that can trip up your fingers if you're not ready for it. Start hands-separate at around 75 BPM, and loop the sections where Dm7 and Gm7 voice-lead into each other until the shapes feel automatic. Once you're comfortable, bring hands together and gradually push toward full tempo. The syncopated phrasing in the chorus wants to rush — resist it by locking to the beat. This is the song that'll make flat-key pop changes feel like home.