I’m me, me be, God damn, I am.
I can sing and hear me, and know me.
If you (C)want to de (D)stroy my sweat er,
hold this (C)thread as I (D)walk a way.
Oh no, it go, it gone, bye bye.
Who I, I think, I sink, and I die.
If you (C)want to de (D)stroy my sweat er,
hold this (C)thread as I (D)walk a way.
Watch me un (C)rav el, I’ll (D)soon be nak (C)ed.
Ly in’ on the (C)floor, I’ve (D)come un done.
If you (C)want to de (D)stroy my sweat er,
hold this (C)thread as I (D)walk a way.
Watch me un (C)rav el, I’ll (D)soon be nak (C)ed.
Ly in’ on the (C)floor, I’ve (D)come un done.
If you (C)want to de (D)stroy my sweat er,
hold this (C)thread as I (D)walk a way.
Watch me un (C)rav el, I’ll (D)soon be nak (C)ed.
Ly in’ on the (C)floor, I’ve (D)come un done.
(D)come un done.
Ooh,
ooh,
ooh,
ooh.
Ooh,
ooh,
ooh,
ooh.
Ooh,
ooh,
ooh,
ooh.
Ooh,
ooh,
ooh,
ooh.
Ooh,
ooh,
ooh,
ooh.
Ooh,
ooh,
ooh,
ooh.
(G)Ooh.
This page shows “Undone - The Sweater Song” by Weezer in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of G at 80 BPM, a medium-difficulty arrangement — try slowing the tempo down using the BPM control.
This arrangement is a great way to build confidence with borrowed chords — you're in G major, but Bb, Eb, and F show up frequently, so your hands need to be comfortable jumping to those flat-side shapes without hesitation. Your left hand drives an oompah bass pattern, alternating between root notes and chord tones, so lock that in hands-separate first at around 60 BPM before layering in the right hand. The trickiest transitions are G to Bb and C to Eb, where your hand has to shift quickly without a shared pivot finger — drill just those two-chord pairs in a loop until they feel automatic. Watch the power chord voicings too; keep them light and punchy rather than heavy. At 80 BPM you have breathing room, so use it to land each chord cleanly. This is the piece that'll make borrowed chords feel like home in your playing.