(C)Two
(F6)birds on a wi
(Cmaj7)re.
(F)One tries to (G)fly and the a way oth er and the oth er The (C)watch es him close from that (Am)wi of that (Cmaj7)re.
He says he (F)wants to as (G)well, but (F)he is a (G)li ar.
(C)I’ll be lieve
it (G)all,
(G)there’s (Am)noth ing I (F)won’t un der stand.
(C)I’ll be lieve
it (G)all,
(E)I (Am)won’t let (F)go of your hand.
(C)Two
(F6)birds on a wi
(Cmaj7)re.
(F)One says, “Come (G)on,” ways the a way gon na says, “I’m geth ed.” But (C)sky o ver cast and I’m (Am)sor of that (Cmaj7)ry.
He One He (F)more or one (G)less, but (F)no bod y’s (G)wor ried.
(C)I’ll be lieve
it (G)all,
(G)there’s (Am)noth ing I (F)won’t un der stand.
(C)I’ll be lieve
it (G)all,
(E)I (Am)won’t let (F)go of your hand.
(G7)Oh, oh, oh, oh, (G9)oh, oh, oh, oh, oh, oh, oh, oh.
(C)Two
(Fm)birds on a wi
re.
(F)One tries to (G)fly a way and the oth er (C)watch es him (E)close from that (Am)wi
re.
He says he (Am)wants to as (E)well, but (Am)he is a (E)li ar.
Do, do, do, dum, do, do, (E7)do.
Do, do, (E7)do, dum, do, do, (Am)do.
Da, (Am)da, da, (E)dum, da, (E)da, da, (Am)dum.
Do, do, (Am)do, dum, do, do, (E)do.
Do, do, (E)do, dum, do, do, (Am)do.
Da, (Am)da, da, (Bdim7)da, da, (E)da.
(C)Two
(F6)birds on a (Am)wi
(Cmaj7)re.
(F)One tries to (G)fly a way and the (G)oth er.
This page shows “Two Birds” by Regina Spektor in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of C at 155 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to get comfortable with a pedal bass — your left hand will anchor on a repeated or sustained note while your right hand moves through the chord changes above it. That steady left hand is your foundation, so practice it alone first until it feels automatic. The chord palette here is richer than most easy pieces: you'll encounter borrowed chords like Fm and Bdim7 sitting right next to familiar shapes like C and G. Isolate those transitions — especially moving into and out of Bdim7 — and loop them slowly before bringing the tempo up toward 155 BPM. Watch your E7 to Am resolution; land that minor chord cleanly and the melancholic mood clicks into place. Once the pedal bass feels effortless, you'll notice your hands start to feel independent of each other, and that's a skill you'll carry into everything you play next.