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Oh,
yeah, yeah.
I put my feel ings on you’re safe ty so I don’t go shoot ing where your heart (F#m7)be.
’Cause you take the bul let try na save me.
but Then I’m left to deal with mak in’ you (F#m7)bleed.
And that’s a whole lot ta love, ain’t try na waste (Em9)it.
Like we be run nin’ a mile and nev er make (F#m7)it.
That’s just too bit ter for words, don’t wan na taste (Em9)it.
That’s just too bit ter for words, don’t wan na face (F#m7)it.
But I think that (Bm9)I’m done trip (Em9)pin’, I’m trip, trip pin’, I’ve been sip (F#m7)pin’.
That’s how I con trol this feel (Em9)in’ you keep giv in’, you keep on hit tin’ (F#m7)it, ooh, oh.
May be it’s your (Bm9)love, it’s too good to (Em9)be true.
Ba by boy, your love got me trip pin’ (F#m7)on you.
You know your love is big e (Bm9)nough, make me trip up (Em9)on ya.
Yeah, it’s big e nough, got me trip pin’ (F#m7)on ya, trip, trip pin’ on ya.
My bad, (Em9)my bad for trip pin’ on you.
Trip pin’ on (F#m7)you.
My bad, (Em9)my bad for trip pin’ on you.
Trip pin’ on (F#m7)you.
Boy, you know we’re cool ings on you’re wait in’, but I act a fool when I don’t get (F#m7)it.
And I’m stead y bruis in’ just to save this, but Then tripped on your love, now I’m ad dict (F#m7)ed.
And that’s a whole lot ta love, ain’t try na waste (Em9)it.
Like we be run nin’ a mile and nev er make (F#m7)it.
That’s just too bit ter for words, don’t wan na taste (Em9)it.
That’s just too bit ter for words, don’t wan na face (F#m7)it.
But I think that (Bm9)I’m done trip (Em9)pin’, I’m trip, trip pin’, I’ve been sip (F#m7)pin’.
That’s how I con trol this feel (Em9)in’ you keep giv in’, you keep on hit tin’ (F#m7)it, ooh, oh.
May be it’s your (Bm9)love, it’s too good to (Em9)be true.
Ba by boy, your love got me trip pin’ (F#m7)on you.
You know your love is big e (Bm9)nough, make me trip up (Em9)on ya.
Yeah, it’s big e nough, got me trip pin’ (F#m7)on ya, trip, trip pin’ on ya.
My bad, (Em9)my bad for trip pin’ on you.
Trip pin’ on (F#m7)you.
My bad, (Em9)my bad for trip pin’ on you.
Trip pin’ on (F#m7)you.
Boy, you know we’re cool Trip pin’ on (F#m7)you.
That’s some kind of love, (Em9)ba by.
(Trip, trip.) That’s the type of love, (F#m7)make me.
(Trip, trip, trip pin’ on you.) It’s big e nough, (Em9)make me.
(Trip, trip.) It’s big e nough, (F#m7)got me.
(Trip, trip, trip pin’ on you.) My bad, (Em9)my bad for trip pin’ on you.
Trip pin’ on (F#m7)you.
My bad, (Em9)my bad for trip pin’ on you.
Trip pin’ on (F#m7)you,
ba by.
My bad, (Em9)my bad for trip.
Said I ad mit I (CN.C.)was wrong when I did it.
My (Bm9)bad, my bad, (Em9)my bad for trip pin’ on you.
Trip pin’ on (F#m7)you.
Trip pin’ on you,
yeah, yeah.
(Em7)Oh,
yeah, yeah.
This page shows “Trip” by Ella Mai in our color-coded kid songbook view — every note is colored by pitch (red C, orange D, yellow E, green F, blue G, purple A, pink B) and the lyrics sit directly under each note, so children can sing along while they play. The song is in the key of B at 81 BPM, a comfortable easy-level arrangement perfect for first-time learners.
This arrangement is a great way to build confidence with minor seventh and ninth chord shapes — your left hand will settle into a block bass pattern that repeats predictably, so once you've memorized those Bm7 and Em7 voicings, they'll anchor everything else. At 81 BPM you have breathing room, but watch the transition from F#m7 up to C: that jump can catch you off guard if you're not anticipating it, so isolate that two-chord shift and loop it slowly until your hand finds the distance without looking. Start hands-separate, locking in the left-hand pattern first until it feels automatic, then layer in the right-hand melody. The syncopation in the melody is subtle but essential for the R&B feel — tap the rhythm on your knee before you add pitch so you internalize the groove. Use light sustain pedal, lifting cleanly on each chord change to keep those ninth chords from muddying together. This is the song that'll make extended minor chords feel like home under your fingers.